Note: Supplemental materials are not guaranteed with Rental or Used book purchases.
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Acknowledgments | p. ix |
Introduction | p. xi |
Language | |
Language and the Interpretation of Music | p. 3 |
Being at a Loss for Words | p. 32 |
Beethoven's "Expressive" Markings | p. 50 |
Performance | |
The Immanence of Performance in Medieval Song | p. 71 |
Early Recorded Performances of Chopin Waltzes and Mazurkas: The Relation to the Text | p. 84 |
Notation | |
What Kind of Thing Is Musical Notation? | p. 107 |
Sketching Music, Writing Music | p. 161 |
Interpretative Frames | |
The Lulu Character and the Character of Lulu | p. 175 |
History and Archetypes | p. 210 |
Gender and Other Dualities of Music History | p. 220 |
Hermeneutics, Exegetics, or What? | p. 234 |
Facile Metaphors, Hidden Gaps, Short Circuits: Should We Adore Adorno? | p. 253 |
Permissions Acknowledgments | p. 267 |
Notes | p. 269 |
Bibliography | p. 289 |
Index | p. 305 |
Table of Contents provided by Ingram. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.