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Preface | p. vii |
Renaissance Music | |
The Idea of "Renaissance" | p. 3 |
Music as Understood by the Renaissance | p. 14 |
"Renaissance" as a Period in Music History | p. 29 |
South and North. The Nations and the Types of Composition | p. 37 |
The Musical Achievement of the Renaissance | p. 69 |
Baroque Music | |
The Term "Baroque" as Applied to Music | p. 83 |
Introduction of the Word "Baroque" into the Writing of Music History | p. 86 |
The Meaning of the Word "Baroque" in Music | p. 89 |
The Synchronism of the Arts | p. 96 |
Fitness and Need of the Word "Baroque" in Music History | p. 100 |
Style, Form, and Expressive Means in Baroque Music | p. 103 |
The Heteronomy of Baroque Music. Its Rhetoric | p. 103 |
Academicism. Meter and Chromaticism | p. 106 |
Retardative Elements. The Classicistic Undercurrent | p. 108 |
"Meaningful" Music | p. 111 |
Counterpoint | p. 117 |
Style-Consciousness and Idiom | p. 121 |
The Blending of Styles. The Gesamtkunstwerk | p. 124 |
The Technique of Composition. Bass and Chord. From Modality to Tonality. Consonance and Dissonance | p. 125 |
From Tactus to Measure. Tempo and Rhythm | p. 130 |
Forms and the Feeling for Form | p. 132 |
Delimitation and Organization of the Baroque in Music | p. 141 |
Nation and Society in the Music of the Baroque | p. 153 |
Bibliography | p. 167 |
Index | p. 171 |
Table of Contents provided by Syndetics. All Rights Reserved. |
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