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| Preface and acknowledgments | p. vii |
| Introduction: popular culture/cultural citizenship | p. 1 |
| The citizenship qualities of popular culture | |
| Freedom and stricture | |
| The politics of self-formation | |
| Defining cultural citizenship in relation to popular culture | |
| Usable stories, fictional rehearsal, and working through | |
| Regarding method | |
| Popular culture as (revolutionary) force | |
| The chapters to follow | |
| Ethnicity, football, and the nation | p. 21 |
| Dutch football and the Surinamese legion | |
| Ethnography | |
| Fan involvement as citizenship | |
| Negotiating global popular culture | p. 41 |
| Dutch police series | |
| International crime fiction | |
| Practices of representation and the reader | |
| Conservative feminism and the detective novel | p. 61 |
| Everyday feminism, the interpretive community, and cultural citizenship | |
| A "good" detective novel and the ideal reader: the ambiguous status of the detective novel | |
| Cultural citizenship and crime fiction reading | |
| Masculinity and the merits of textual analysis as part of an audience study | p. 79 |
| On irritation | |
| Masculinity and the text | |
| Methodology and understanding popular culture | |
| Critical viewership | p. 96 |
| Post-feminist television | |
| Web journalism and Ally McBeal and Sex and the City | |
| "Jump the Shark" | |
| The "Jump the Shark" response to Ally McBeal and Sex and the City | |
| Conclusion | |
| Children and the media | p. 115 |
| Good intentions | |
| Just for fun | |
| Children's cultural citizenship | |
| Popular culture: a modern and a postmodern genealogy | p. 135 |
| Modernism, popular culture, and gender | |
| Postmodernism and gender in the popular culture project | |
| Toward a new understanding of popular culture | |
| Concluding remarks | p. 155 |
| Popular culture and cultural citizenship | |
| Popular culture and civic disengagement | |
| The art of listening to others | |
| References | p. 160 |
| Index | p. 172 |
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