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Introduction | |
In Favor of Confrontation | p. 3 |
Art Among the Objects | p. 7 |
What Became of Abstraction? | p. 15 |
The Reach of Reality in the Arts | p. 27 |
Space as an Image of Time | p. 35 |
The Reading of Images and the Images of Reading | p. 45 |
Writers' Pointers | p. 53 |
For Your Eyes Only: Seven Exercises in Art Appreciation | p. 61 |
Picasso at Guernica | p. 74 |
Sculpture: The Nature of a Medium | p. 82 |
Negative Space in Architecture | p. 92 |
Caricature: The Rationale of Deformation | p. 101 |
Art History and Psychology | p. 115 |
The Melody of Motion | p. 127 |
Perceptual Aspects of Art for the Blind | p. 133 |
The Artistry of Psychotics | p. 144 |
The Puzzle of Nadia's Drawings | p. 155 |
The Artist as Healer | p. 164 |
But Is It Science? | p. 175 |
Complementarity from the Outside | p. 185 |
Interaction: Its Benefits and Costs | p. 193 |
What Is Gestalt Psychology? | p. 200 |
The Two Faces of Gestalt Theory | p. 206 |
Beyond the Double Truth | p. 217 |
Art as Religion | p. 227 |
In the Company of the Century | p. 236 |
Index | p. 245 |
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