Reservation Reelism

by Raheja, Michelle H.

• ISBN13: 9780803211261
• ISBN10: 0803211260
• Format: Hardcover
• Copyright: 2011-01-01
• Publisher: Univ of Nebraska Pr

Summary

In this deeply engaging account, Michelle H. Raheja offers the first book-length study of the Indigenous actors, directors, and spectators who helped shape Hollywood's representation of Indigenous peoples. Since the era of silent films, Hollywood movies and visual culture generally have provided the primary representational field on which Indigenous images have been displayed to non-Native audiences. These films have been highly influential in shaping perceptions of Indigenous peoples as, for example, a dying race or as inherently unable or unwilling to adapt to change. However, films with Indigenous plots and subplots also signify at least some degree of Native presence in a culture that largely defines Native peoples as absent or separate. Native actors, directors, and spectators have had a part in creating these cinematic representations and have thus complicated the dominant, and usually negative, messages about Native peoples that films portray. InReservation ReelismRaheja examines the history of these Native actors, directors, and spectators, reveals their contributions, and attempts to create positive representations in film that reflect the complex and vibrant experiences of Native peoples and communities.

Author Biography

Michelle H. Raheja is an assistant professor of English at the University of California, Riverside. Her articles have appeared in the American Indian Culture and Research Journal, American Quarterly, and edited volumes.

Table of Contents

List of Illustrations	p. vi
Preface	p. ix
Acknowledgments	p. xv
Toward a Genealogy of Indigenous Film Theory: Reading Hollywood Indians	p. 1
Ideologies of (In)Visibility: Redfacing, Gender, and Moving Images	p. 46
Tears and Trash: Economies of Redfacing and the Ghostly Indian	p. 102
Prophesizing on the Virtual Reservation: Imprint and It Starts with a Whisper	p. 145
Visual Sovereignty, Indigenous Revisions of Ethnography, and Atanarjuat (The Fast Runner)	p. 190
Epilogue	p. 221
Notes	p. 241
Bibliography	p. 291
Index	p. 319
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