Acknowledgments | p. vii |
Introduction | p. 3 |
Stone's Alexander | |
Oliver Stone's Alexander and the Cinematic Epic Tradition | p. 15 |
The Popular Reception of Alexander | p. 36 |
Precursors of Alexander | |
Alexandar on Stage: A Critical Appraisal of Rattigan's Adventure Story | p. 55 |
The Appearance of History: Robert Rossen's Alexander the Great | p. 92 |
Alexander's Intimates: Sexuality and Gender | |
Alexander and Ancient Greek Sexuality: Some Theoretical Considerations | p. 119 |
Olympias and Oliver: Sex, Sexual Stereotyping, and Women in Oliver Stone's Alexander | p. 135 |
Fortune Favors the Blond: Colin Farrell in Alexander | p. 168 |
The Cult of Hephaestion | p. 183 |
Alexander's Dream: Macedonians and Foreigners | |
Oliver Stone, Alexander, and the Unity of Mankind | p. 219 |
"Help me, Aphrodite!" Depicting the Royal Women of Persia in Alexander | p. 243 |
Ways of Viewing Alexander | |
Viewing the Past: Cinematic Exegesis in the Caverns of Macedon | p. 285 |
Blockbuster! Museum Responses to Alexander the Great | p. 305 |
Afterword | p. 337 |
Contributors | p. 353 |
Index | p. 357 |
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