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9780393041675

Rhapsody in Plain Yellow

by
  • ISBN13:

    9780393041675

  • ISBN10:

    0393041670

  • Format: Hardcover
  • Copyright: 2001-12-01
  • Publisher: W W Norton & Co Inc
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Summary

A fusion of east and west, high culture, popular culture, and ancient Chinese history mark this distinguished collection. In traditional narratives and playful song, Marilyn Chin elegizes the loss of her mother and grandmother and unravels the complexities of her family's past. She sings out the trials of immigration, exile, thwarted interracial love, and social injustice personal revelations leading to a universal cry for compassion and healing.

Author Biography

Marilyn Chin is the author of The Phoenix Gone, the Terrace Empty, winner of the PEN Josephine Miles Award, and Dwarf Bamboo. She was born in Hong Kong and raised in Portland, Oregon. In the late 1970s she was a translator for the International Writing Program at the University of Iowa, where she cotranslated The Selected Poems of Ai Qing. Her poetry has appeared in The Iowa Review, The Paris Review, and Parnassus. Two National Endowment for the Arts Fellowships, two Fulbright Fellowships, a Stegner Fellowship, four Pushcart Prizes, and a Mary Roberts Rinehart Award count among her many honors. Chin is currently on the faculty of the M.F.A. program at San Diego State University. She considers the Pacific Rim her home and San Diego her most recent exile

Table of Contents

Blues on Yellow
13(4)
That Half Is Almost Gone
17(3)
The Colonial Language Is English
20(2)
Take a Left at the Waters of Samsara
22(2)
Chinese Quatrains (The Woman in Tomb 44)
24(3)
Emilies: Aria for My Mother
27(3)
Millennium, Six Songs
30(4)
Cauldron
34(5)
Broken Chord Sequence
39(10)
Altar (#3)
39(1)
Hospital Interlude
40(1)
Hospital in Oregon
41(1)
Song of the Giant Calabash
42(2)
Hong Kong Fathersong
44(1)
Get Rid of the X
45(1)
How Deep Is the River of God?
46(1)
I Am Waiting
47(1)
Libations, Song 10
48(1)
Variations on an Ancient Theme: The Drunken Husband
49(3)
Bold Beauty
52(1)
The True Story of Mortar and Pestle
53(2)
The True Story of Mr. and Mrs. Wong
55(1)
The Cock's Wife
56(1)
Where We Live Now (Vol. 3, #4)
57(10)
Blues on Yellow (#2)
67(2)
Horse Horse Hyphen Hyphen
69(3)
Tonight while the Stars Are Shimmering
72(3)
Bad Date Polytich, Eight Poems
75(8)
Bad Date
75(1)
Family Restaurant (#1)
76(1)
Family Restaurant (#2)
77(1)
Empathy
78(1)
Blues on Yellow (#3)
79(1)
Folk Song Revisited
80(1)
Ohio/Ohio
81(1)
So, You Fucked John Donne
82(1)
Identity Poem (#99)
83(2)
To Pursue the Limitless
85(3)
Summer Sonatina
88(4)
Horseyear
92(4)
Rhapsody in Plain Yellow
96(9)
Notes 105

Supplemental Materials

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The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.

Excerpts


Chapter One

    Blues on Yellow

The canary died in the gold mine, her dreams got lost in the sieve.

The canary died in the gold mine, her dreams got lost in the sieve.

Her husband the crow killed under the railroad, the spokes bath shorn his wings.

Something's cookin' in Chin's kitchen, ten thousand yellow-bellied sapsuckers

   baked in a pie.

Something's cookin' in Chin's kitchen, ten thousand yellow-bellied sapsuckers

   baked in a pie.

Something's cookin in Chin's kitchen, die die yellow bird, die die.

O crack an egg on the griddle, yellow will ooze into white.

O crack an egg on the griddle, yellow will ooze into white.

Run, run, sweet little Puritan, yellow will ooze into white.

If you cut my yellow wrists, I'll teach my yellow toes to write.

If you cut my yellow wrists, I'll teach my yellow toes to write.

If you cut my yellow fists, I'll teach my yellow feet to fight.

Do not be afraid to perish, my mother, Buddha's compassion is nigh.

Do not he afraid to perish, my mother, our boat will sail tonight.

Your babies will reach the promised land, the stars will be their guide.

I am so mellow yellow, mellow yellow, Buddha sings in my veins.

I am so mellow yellow, mellow yellow, Buddha sings in my veins.

O take me to the land of the unreborn, there's no life on earth without pain.

    That Half Is Almost Gone

That half is almost gone,

                       the Chinese half,

the fair side of a peach,

                       darkened by the knife of time,

fades like a cruel sun.

In my thirtieth year

                     I wrote a letter to my mother.

I had forgotten the character

                             for "love." I remember vaguely

the radical "heart."

                  The ancestors won't fail to remind you

the vital and vestigial organs

                             where the emotions come from.

But the rest is fading.

                      A slash dissects in midair,

ai, ai, ai, ai,

                more of a cry than a sigh

    (and no help from the phoneticist).

You are a Chinese!

                  My mother was adamant.

You are a Chinese?

                  My mother less convinced.

Are you not Chinese?

                    My mother now accepting.

As a cataract clouds her vision,

                               and her third daughter marries

a Protestant West Virginian

who is "very handsome and very kind"

The mystery is still unsolved--

the landscape looms

    over man. And the gaffer-hatted fishmonger--

sings to his cormorant.

    And the maiden behind the curtain

is somebody's courtesan.

    Or, merely Rose Wong's aging daughter

Pondering the blue void.

You are a Chinese--said my mother

                            who once walked the fields of her dead--

    Today, on the 36th anniversary of my birth,

I have problems now

                    even with the salutation.

    The Colonial Language Is English

Heaven manifests its duality

My consciousness on earth is twofold

My parents speak with two tongues

My mother's tongue is Toisan

My father's tongue is Cantonese

The colonial language is English

I and thou, she and thee

My mother is of two minds

The village and the family

My mother loves me, I am certain

She moulded my happiness in her womb

My mother loves my brother, certainly

His death was not an enigma

Yet, it, too, had its mystery

I had willed it in my heart

I had condemned him in his crib

When I touched his round, Buddha face

Drank in his soft, infant beauty

Cain and Abel had a sister

Her name is Tiny Pearl

Too precious to be included in their story

Her small throat trilled in vain

The Tao of which we speak is not the eternal Tao

The name that we utter is not the eternal name

My mother is me, my father is thee

As we drown in the seepage of Sutter Mill

    Take a Left at the Waters of Samsara

There is a bog of sacred water

     Behind a hedgerow of wild madder

Near the grave of my good mother

     Tin cans blossom there

The rust shimmers like amber

     A diorama of green gnats

Ecstatic in their veil dance

     A nation of frogs regale

Swell-throated, bass-toned

     One belts and rages, the others follow

They fuck blissfully

     Trapped in their cycle

Of rebirth, transient love

     Unprepared for higher ground

And I, my mother's aging girl

     Myopic, goat-footed

Got snagged on an unmarked trail

     The road diverged; I took

The one less traveled

     Blah, blah

I sit at her grave for hours

     A slow drizzle purifies my flesh

I still yearn for her womb

     And can't detach

I chant new poems, my best fascicle

     Stupid pupil, the truth

Is an oxymoron and exact

     Eternity can't be proven to the dead

What is the void but motherlessness?

     The song bellies up

The sun taketh

     The rain ceases to bless

Copyright © 2002 Marilyn Chin. All rights reserved.

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