Jon Thompson is a British artist, teacher, writer and curator. He was Head of Fine Arts at Goldsmith's College, London (1970-92) and is currently Head of Fine Art Studies at the Jan Van Eyck Academy in Maastricht, Netherlands. He co-curated with Greg Hilty the exhibition 'Gravity and Grace: The Changing Condition of Sculpture' in 1993 at the Hayward Gallery, London.
Pier Luigi Tazzi is an art critic and curator based in Florence. Formerly a lecturer at the University of Florence (1976-89), he has contributed to such art journals as Artforum, Museumjournaal and Wolkenkratzer. Tazzi was among the curators of the 42nd Venice Biennale (1988) and was Associate Director of Documenta 9 (1992).
Peter Schjeldahl is Art Critic for the New Yorker. Scheldjahl has also written for Artforum, Parkett, Art News, Frieze and Art Press. His books include The Hydrogen Jukebox: Selected Writings 1978-1990 (1991) and Columns & Catalogues (1994) as well as five books of poetry; his writings have also appeared in the three editions of Art of Our Time: The Saatchi Collection.
Penelope Curtis is Head of Programmes at the Henry Moore Institute, Leeds, where she has organized historical contextualizing exhibitions of the work of distinguished late twentieth-century sculptors such as Giuseppe Penone and Michelangelo Pistoletto, as well as exhibitions, commissions and special projects with younger generation sculptors.
Interview: Pier Luigi Tazzi | p. 6 |
Thinking Richard Deacon, Thinking Sculptor, Thinking Sculpture | p. 36 |
Deacon's Faith | p. 88 |
Purity and Danger, 1966 | p. 98 |
Selections from Stuff Box Object, 1971-72 | p. 110 |
Artist's Statement, 1982 | p. 114 |
Silence, Exile, Cunning, 1986-88 | p. 116 |
What Car? Correspondence with Lynne Cooke, 1992 | p. 120 |
What You See Is What You Get, 1992 | p. 132 |
Design for Replacing, 1987 | p. 138 |
Design for Factory, 1993 | p. 139 |
Reading: a propos de Toni Grand, 1993 | p. 140 |
Chronology | p. 144 |
Bibliography | p. 158 |
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