Series Editors' Preface | p. ix |
Acknowledgments | p. xi |
Introduction | p. 1 |
(Re)Placing Richard Wright | p. 9 |
From New Chicago Renaissance from Wright to Fair Modern and Postmodern Eden: Richard Wright | p. 11 |
Wright among the ôG-Menö: How the FBI Framed Paris Noir | p. 27 |
A Father's Law, 1950s Masculinity, and Richard Wright's Agony over Integration | p. 39 |
Seeking Salvation in a Naturalistic Universe: Richard Wright's Use of His Southern Religious Background in Black Boy (American Hunger) | p. 55 |
Taking Sides: Racism and Spatial Dimensions | p. 69 |
ôWhite People to Either Sideö: Native Son and the Poetics of Space | p. 71 |
Becoming Richard Wright: Space and the WPA | p. 83 |
Wright: Pulp and Media, Reality and Fiction | p. 101 |
Savage Holiday: Documentary Noir and True Crime in 12 Million Black Voices | p. 105 |
Richard Wright's A Father's Law and Black Metropolis: Intellectual Growth and Literary Vision | p. 129 |
A Queer Finale: Sympathy and Privacy, in Wright's A Father's Law | p. 147 |
Wright: New Comparative Frameworks, Transnational Boundaries | p. 167 |
Changing Texts: Censorship, ôReality,ö and Fiction in Native Son | p. 171 |
ôThe Astonishing Humanityö: Domestic Discourses in the Friendship and Fiction of Richard Wright and Carson McCullers | p. 193 |
When Wright Bid McKay Break Bread: Tracing Black Transnational Genealogy | p. 215 |
The Political Art of Wright's ôFire and Cloudö | p. 235 |
Richard Wright and the CircumCaribbean | p. 249 |
Afterword | p. 267 |
Volume Bibliography | p. 273 |
Contributors | p. 279 |
Index | p. 285 |
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