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9781580930178

Robert A. M. Stern 1993-1998

by
  • ISBN13:

    9781580930178

  • ISBN10:

    1580930174

  • Format: Hardcover
  • Copyright: 1998-10-01
  • Publisher: The Monacelli Press
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Supplemental Materials

What is included with this book?

Summary

This is the fourth in a set of chronological compilations documenting theork of a prolific architectural firm, detailing projects brought to fruition,urrently underway, and not yet constructed. The firm operates under theonviction that the inherent iconoclasm of modernism combined with its pse

Author Biography

Robert A. M. Stern, the principal partner of the architectural practice he founded in 1969, is also dean of the Yale School of Architecture. In addition to monographs on the firm's work, Stern has written a series of books on New York's architecture and urbanism, including New York 1880, New York 1900, New York 1930, and New York 1960.

Table of Contents

Introduction 9(5)
Robert A.M. Stern
Buildings and Projects, 1993-1998
Architects' Office, New York, New York
12(4)
Center for Jewish Life, Princeton University, Princeton, New Jersey
16(6)
Spruce Lodge, Colorado
22(8)
Norman Rockwell Museum at Stockbridge, Massachusetts
30(4)
Residence in River Oaks, Houston, Texas
34(6)
Columbus Regional Hospital, Columbus, Indiana
40(6)
Town Square--Wheaton, Illinois
46(4)
Roger Tory Peterson Institute, Jamestown, New York
50(6)
Anglebrook Golf Club, Somers, New York
56(2)
House at Apaquogue, East Hampton, New York
58(6)
Kiawah Beach Club, Kiawah Island, South Carolina
64(6)
Greenbrier at West Village Golf Resort, Fukushima Prefecture, Japan
70(8)
Residence in the Midwestern United States
78(6)
Brooklyn Law School, Brooklyn, New York
84(6)
Celebration, Florida
90(8)
Residence in Starwood, Aspen, Colorado
98(8)
Feature Animation Building, The Walt Disney Company, Burbank, California
106(10)
Colgate Darden School of Business, University of Virginia, Charlottesville, Virginia
116(8)
Red Oaks, Cohasset, Massachusetts
124(6)
Nanki-Shirahama Golf Clubhouse, Wakayama Prefecture, Japan
130(2)
Gap Embarcadero Building, San Francisco, California
132(4)
Residence, Kings Point, New York
136(2)
Aspen Highlands, Aspen, Colorado
138(2)
William Gates Computer Science Building, Stanford University, Palo Alto, California
140(8)
Residence at Skimhampton, East Hampton, New York
148(2)
Residence, Telluride, Colorado
150(2)
Residence in Beverly Park, Beverly Hills, California
152(2)
Additions to Points of View, Seal Harbor, Maine
154(6)
42nd Street Now!, New York, New York
160(10)
East Hampton Library, East Hampton, New York
170(4)
Hotel Melayu, Kuala Lumpur, Malaysia
174(2)
Moore Psychology Building, Dartmouth College, Hanover, New Hampshire
176(2)
Disney's Board Walk, Walt Disney World, Lake Buena Vista, Florida
178(12)
Residence in Preston Hollow, Dallas, Texas
190(2)
Concert Hall and Museum, Karuizawa, Japan
192(2)
Celebration Health, Celebration, Florida
194(8)
Product Design
202(4)
Residence, Montecito, California
206(4)
Residence at North York, Toronto, Ontario, Canada
210(2)
Smith Campus Center, Pomona College, Claremont, California
212(2)
National Advocacy Center, U.S. Department of Justice, University of South Carolina, Columbia, South Carolina
214(2)
Life Dream House
216(6)
Temple Emanu-el, Closter, New Jersey
222(2)
Math/Science Building and Library, Taft School, Watertown, Connecticut
224(2)
Porto Sauipe Marina Village, Bahia, Salvador, Brazil
226(2)
Pacific Heights Residence, San Francisco, California
228(2)
U.S. Courthouse and IRS Complex, Beckley, West Virginia
230(4)
600 Thirteenth Street, N.W., Washington, D.C.
234(6)
Residence in Southampton, New York
240(2)
Prototypical Stores for eighteen 77
242(2)
Saigon Metropolitan Tower, Ho Chi Minh City, Vietnam
244(2)
Navesink Residence, Middletown, New Jersey
246(2)
Residence Hall for Columbia University, New York, New York
248(6)
Residence and Guest House at Katama, Martha's Vineyard, Massachusetts
254(6)
U.S. Department of State Office Building Chancery, Berlin, Germany
260(4)
Newport Bay Club Convention Center, Paris Disneyland, France
264(6)
Master Plan and Addition to Knott Science Center, College of Notre Dame of Maryland, Baltimore, Maryland
270(2)
Bangor Public Library, Bangor, Maine
272(6)
U.S. Courthouse Annex, Savannah, Georgia
278(2)
South Campus Housing, West Quadrangle, University of South Carolina, Columbia, South Carolin
280(6)
Spring Valley Residence, Washington, D.C.
286(2)
Union Square South, New York, New York
288(2)
Yawkey Park, Boston, Massachusetts
290(2)
Tribeca Park, Battery Park City, New York, New York
292(4)
Edison Field, Anaheim, California
296(4)
Miller Field, Milwaukee, Wisconsin
300(2)
Residence on Kiawah Island, South Carolina
302(2)
Disney Ambassador Hotel, Urayasu-shi, Chiba-ken, Japan
304(2)
House at the Point, Santa Lucia Preserve, Monterey County, California
306(2)
National Storytelling Center, Jonesborough, Tennessee
308(2)
Mulholland House, Los Angeles, California
310(2)
Wellesley Office Park, Wellesley, Massachusetts
312(2)
Residence, Greenwich, Connecticut
314(2)
Residence, Denver, Colorado
316(2)
Federal Reserve Bank of Atlanta Headquarters, Atlanta, Georgia
318(2)
Heavenly View Ranch, Old Snowmass, Colorado
320(2)
Diagonal Mar Entertainment and Retail Center, Barcelona, Spain
322(4)
Preservation and Development Plan, Heiligendamm, Germany
326(4)
Hobby Center for the Performing Arts, Houston, Texas
330(4)
New York Coliseum Site, New York, New York
334(4)
Residence, Mount Kisco, New York
338(2)
Guest House and Tennis Pavilion in Brentwood, Los Angeles, California
340(2)
Residence in Napa County, Oakville, California
342(2)
Residence, Long Island, New York
344(2)
Edgewater Apartments, West Vancouver, British Columbia, Canada
346(2)
Belas Clube de Campo, Lisbon, Portugal
348(4)
Welcome Center, Give Kids the World, Kissimmee, Florida
352(2)
Tuxedo Reserve, Tuxedo, New York
354(2)
Maharani Menari Tower, Jakarta, Indonesia
356(2)
Trump St. Moritz Condominiums, New York, New York
358(2)
Office Building and Parking Garage, Yonkers, New York
360(2)
Residence at Maidstone, East Hampton, New York
362(2)
Apartment Tower at Sixty-Fifth Street and Third Avenue, New York, New York
364(2)
RiverVue, Tuckahoe, New York
366(2)
The Seville, New York, New York
368(2)
South Station, Boston, Massachusetts
370(2)
Senior Community, Celebration, Florida
372(2)
Animation and Emerging Technologies Building, Sheridan College, Oakville-Trafalgar, Ontario, Canada
374(2)
Arts Center, Denison University, Granville, Ohio
376(2)
Residence, Palo Alto, California
378(2)
House for This Old House Magazine, Wilton, Connecticut
380(2)
Reforma 350, Mexico City, Mexico
382(2)
Public Library of Nashville and Davidson County, Nashville, Tennessee
384(6)
Project Information 390(10)
Illustration Credits 400

Supplemental Materials

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The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.

Excerpts

From:
Robert A. M. Stern and Paul Goldberger: A Conversation


PAUL GOLDBERGER: Bob, forty years of practice is an extraordinary thing, all the more because you continue at such a rapid pace. I remember the office over the storefront on West Seventy-second Street, which was probably smaller than your reception area is right now. Let me first ask you if there’s anything you miss from those early days when it was a kind of office on a shoestring.

ROBERT A. M. STERN: “Office on a shoestring” sums it up perfectly. What one does miss, of course, from when one is brand new in practice, is the thrill of the first or the second or the third commission or telephone call as it were. And the very close camaraderie of a few people. But there is no question that a larger office—and I’m not sure how much larger “larger” should really be—provides one with all kinds of other things and a more solid professionalism. You avoid some of the horrible mistakes that many small practices make, both technical errors in execution of the work and mistakes in terms of how to position the firm and how to write a contract and a hundred other things.

I was thinking of that, actually, as I was waiting for your arrival. Of course, it was much nicer in some ways when it was smaller and I knew everybody. And I knew them warts and all, and they knew me warts and all. Now I think they know me warts and all and I’m not sure I know them.

But there are people in our practice today who don’t go back to day one but do go back to say, day three. People who have been here thirty years or more and are now partners, and we have a close camaraderie. But of course, many others who came to the practice have become partners and associates as well.

PG: It is remarkable, though, that there are some people who really spent their entire careers here.

RS: I’m always disappointed when people leave. But I recognize that for some people, for many people, it’s a good thing to do. Find their own way. Sometimes people don’t work better in a different environment than the one they’re leaving, but they think it’s going to be better, that the grass will be greener. Sometimes, they think they’re going to be able to do it on their own, and they suddenly discover that independent practice is not for everyone or not for them. Some chose to return to the nest. But we’ve spawned a lot of firms.

PG: You know, for a while, it seemed right to compare Robert A. M. Stern Architects to a practice like Delano & Aldrich or John Russell Pope or James Gamble Rogers, great eclectic firms of the 1920s, ’30s, and so forth.

But given that they were less concerned about formal innovation than they were about careful, conscientious re-use of historical form and given the sheer volume of work you now have, larger than any of those firms, I think even in their heyday, I wonder to whom would you want to be compared, ideally?

RS: There were no really large firms in the time of the architects you mentioned, to my knowledge. None that was very large. McKim, Mead & White and Daniel Burnham set the model, but it was just the model for big practice, not the reality. It’s only since the founding of Skidmore, Owings & Merrill in the late 1930s and after that the large firm taking on many different kinds of work began to emerge.

I like to think that we are able to compete with different firms for different kinds of work, that we can compete with a KPF or a Skidmore for a corporate project and other firms for other kinds of work. Maybe we’re sui generis, egomaniac though such a claim might be.

PG: We all know you are sui generis, so the question is therefore, perhaps the firm also is?

RS: We run our practice differently. First of all, we run side by

Excerpted from Robert A. M. Stern: 1993-1998 by Robert A. M. Stern
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

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