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9780791467343

Roll over Adorno: Critical Theory, Popular Culture, Audiovisual Media

by
  • ISBN13:

    9780791467343

  • ISBN10:

    0791467341

  • Format: Paperback
  • Copyright: 2006-04-06
  • Publisher: State Univ of New York Pr

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Summary

Moves from Beethoven to Buffy to examine the blurred nexus of elite and popular culture in the twenty-first century.

Table of Contents

List of Illustrations xi
Acknowledgments xiii
Script xvii
INTRODUCTION: CRITICAL THEORY, POPULAR CULTURE, AUDIOVISUAL MEDIA 1(22)
Popular Music
3(5)
Sound Film
8(7)
Television
15(8)
PART 1. POPULAR MUSIC: HI-LO FIDELITY 23(44)
1. ROCK 'N' THEORY: CULTURAL STUDIES, AUTOBIOGRAPHY, AND THE DEATH OF ROCK
25(18)
A Side: The Birth of Rock, or Memory Train
25(4)
B Side: Rock in Theory
29(11)
The Culture of Rock
30(3)
Rock, Rap, and Riot Grrrls
33(2)
World Musics: After Rock Imperialism
35(1)
Production of Culture
36(2)
Forced Choice: Britney or Avril?
38(2)
My Generation
40(3)
2. ROLL OVER ADORNO: BEETHOVEN, CHUCK BERRY, AND POPULAR MUSIC IN THE AGE OF MP3
43(18)
Mass Culture, Ersatz Kantianism
44(2)
From Beethoven to Fascism
46(1)
Amerika: Beethoven or Bikinis
47(2)
Radio Days
49(3)
"Roll Over Beethoven"
52(2)
Magic Spell and the Two Spheres of Music
54(3)
MP3
57(1)
Fantasia
58(3)
REPRISE: BEETHOVEN'S HAIR
61(6)
PART 2. SOUND FILM: SCREEN THEORY AND AUDIOVISUALITY 67(66)
3. THE SUTURE SCENARIO: AUDIOVISUALITY AND POST-SCREEN THEORY
69(22)
Theory: The Suture Scenario
70(2)
Post-Screen Theory: Suture-as-Desuturing
72(1)
Audiovisuality in Tongues Untied and Set It Off
73(18)
Illustration A: Tongues Untied
74(5)
Illustration B: Set It Off
79(12)
4. AUDIOPHILIA: AUDIOVISUAL PLEASURE AND NARRATIVE CINEMA IN JACKIE BROWN
91(30)
Cinephilia
92(2)
Scopophilia
94(2)
From Scopophilia to Audiophilia: The Gaze que Race
96(2)
Audiophilia: Auditing Jackie Brown
98(1)
"Across 110th Street": Overture
99(2)
"Street Life": Jackie as Femme Noire
101(6)
"Across 110th Street": Denouement
107(4)
Audiophilia Reconsidered: "Asking for It"
111(6)
Counterpoint: Post-Soul Music or Pre-Gangsta Rap?
117(4)
REPRISE: ALEX'S "LOVELY LUDWIG VAN" AND MARTY MCFLY'S WHITE ROCK MINSTREL SHOW
121(12)
PART 3. TV: TELEVISION, TELEPHILIA, TELEVISUALITY 133(64)
5. GEN-X TV: POLITICAL-LIBIDINAL STRUCTURES OF FEELING IN MELROSE PLACE
135(18)
Preview
136(2)
After the Reagan Dynasty: "Help Me, Rhonda"
138(4)
From Race to Sex-Gender: Kiss Kiss, Bang Bang
142(2)
The Romance of Capital: Fox, Female Address, and Postfeminism
144(3)
Melrose Space: The Fashion Mode
147(2)
Adcult: The Commercial Supertext
149(2)
Review
151(2)
6. SHOT/COUNTERSHOT: SEXUALITY, PSYCHOANALYSIS, AND POSTMODERN STYLE IN THE SOPRANOS
153(30)
Shot: The Godfather
154(10)
Citationality: The Gangster as Serio-Comic Hero
154(3)
"I'm a Man": Crossing Cultures
157(2)
Psycho-Gangster TV: Seriality and Self-Reflexivity
159(1)
À la Recherche du temps perdu
160(2)
Primal Scene: Capicola as Proustian "Tea Cookie"
162(2)
Countershot: Case Study
164(15)
Black and Blue: Puzo's Women
166(1)
Repetition Compulsion: From The Godfather to The Sopranos
167(1)
Beyond the University
168(4)
Post-Mortem: Bad Love
172(1)
D-I-S-R-E-S-P-E-C-T: Tele-Psychoanalytic Metatext
173(2)
Analysis Interminable
175(4)
Martini Shot: "Hall Hath No Fury"
179(4)
REPRISE: TONY SOPRANO, MEET BUFFY THE VAMPIRE SLAYER
183(14)
Notes 197(36)
Bibliography 233(20)
Index 253

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