did-you-know? rent-now

Amazon no longer offers textbook rentals. We do!

did-you-know? rent-now

Amazon no longer offers textbook rentals. We do!

We're the #1 textbook rental company. Let us show you why.

9780521250801

Romantic and Revolutionary Theatre, 1789–1860

by
  • ISBN13:

    9780521250801

  • ISBN10:

    0521250803

  • Format: Hardcover
  • Copyright: 2003-07-14
  • Publisher: Cambridge University Press

Note: Supplemental materials are not guaranteed with Rental or Used book purchases.

Purchase Benefits

  • Free Shipping Icon Free Shipping On Orders Over $35!
    Your order must be $35 or more to qualify for free economy shipping. Bulk sales, PO's, Marketplace items, eBooks and apparel do not qualify for this offer.
  • eCampus.com Logo Get Rewarded for Ordering Your Textbooks! Enroll Now
List Price: $242.00 Save up to $72.60
  • Rent Book $169.40
    Add to Cart Free Shipping Icon Free Shipping

    TERM
    PRICE
    DUE
    SPECIAL ORDER: 1-2 WEEKS
    *This item is part of an exclusive publisher rental program and requires an additional convenience fee. This fee will be reflected in the shopping cart.

Supplemental Materials

What is included with this book?

Summary

Taking as notional parameters the upheaval of the French Revolution and the events leading up to the Unification of Italy, this volume charts a period of political and social turbulence in Europe and its reflection in theatrical life. Apart from considering external factors like censorship and legal sanctions on theatrical activity, the volume examines the effects of prevailing operational conditions on the internal organization of companies, their repertoire, acting, stage presentation, playhouse architecture and the relationship with audiences. Also covered are technical advances in stage machinery, scenography and lighting, the changing position of the playwright and the continuing importance of various street entertainments, particularly in Italy, where dramatic theatre remained the poor relation of the operatic, and itinerant acting troupes still constituted the norm. The 460 documents, many of them illustrated, have been drawn from sources in Britain, France and Italy and have been annotated, and translated where appropriate.

Table of Contents

List of documents
vii
Editor's preface xxii
General editor's preface xxiii
Acknowledgements xxv
Part 1 Britain
Victor Emeljanow
Introduction
3(2)
Theatre, the law and management practices
5(77)
Playhouses
82(28)
Repertoire, taste and audiences
110(53)
Actors and acting
163(58)
Stage presentation
221(43)
Part 2 France
Donald Roy
Introduction
261(3)
Documents of control
264(29)
Managerial and contractual documents
293(39)
Actors and acting
332(31)
Stage presentation
363(46)
Audiences and auditoria
409(38)
Part 3 Italy
Kenneth Richards
Laura Richards
Introduction
441(6)
After Goldoni
447(14)
Carnival, feste and street theatre
461(9)
Theatres, scenic design and audiences
470(18)
Early nineteenth-century acting companies and theatre conditions
488(17)
Players and playing
505(19)
Bibliography by country 524(18)
Index 542

Supplemental Materials

What is included with this book?

The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.

Rewards Program