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9780813121079

Romanticism and Women Poets

by ;
  • ISBN13:

    9780813121079

  • ISBN10:

    0813121078

  • Format: Hardcover
  • Copyright: 1999-06-25
  • Publisher: Univ Pr of Kentucky
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Supplemental Materials

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Summary

" One of the most exciting developments in Romantic studies in the past decade has been the rediscovery and repositioning of women poets as vital and influential members of the Romantic literary community. This is the first volume to focus on women poets of this era and to consider how their historical reception challenges current conceptions of Romanticism. With a broad, revisionist view, the essays examine the poetry these women produced, what the poets thought about themselves and their place in the contemporary literary scene, and what the recovery of their works says about current and past theoretical frameworks. The contributors focus their attention on such poets as Felicia Hemans, Letitia Elizabeth Landon, Charlotte Smith, Anna Barbauld, Mary Lamb, and Fanny Kemble and argue for a significant rethinking of Romanticism as an intellectual and cultural phenomenon. Grounding their consideration of the poets in cultural, social, intellectual, and aesthetic concerns, the authors contest the received wisdom about Romantic poetry, its authors, its themes, and its audiences. Some of the essays examine the ways in which many of the poets sought to establish stable positions and identities for themselves, while others address the changing nature over time of the reputations of these women poets.

Table of Contents

List of Illustrations
vii(1)
Acknowledgments viii
Introduction: Recovering Romanticism and Women Poets 1(14)
Harriet Kramer Linkin
Stephen C. Behrendt
Prologue Endurance and Forgetting: What the Evidence Suggests 15(10)
Paula R. Feldman
Part One: Questioning Reception 25(76)
The Gap That Is Not a Gap: British Poetry by Women, 1802-1812
25(21)
Stephen C. Behrendt
The Subject of Violence: Mary Lamb, Femme Fatale
46(25)
Adriana Craciun
"Tales of Truth?": Amelia Opie's Antislavery Poetics
71(30)
Roxanne Eberle
Part Two: Anticipating Reception 101(64)
"Dost thou not know my voice?": Charlotte Smith and the Lyric's Audience
101(24)
Sarah M. Zimmerman
"Be Good!": Acting, Reader's Theater, and Oratory in Frances Anne Kemble's Writing
125(19)
Catherine B. Burroughs
Recuperating Romanticism in Mary Tighe's Psyche
144(21)
Harriet Kramer Linkin
Part Three: Reconstructing Reception 165(95)
A "High-Minded Christian Lady": The Posthumous Reception of Anna Letitia Barbauld
165(27)
William McCarthy
"Burst Are the Prison Bars": Caroline Bowles Southey and the Vicissitudes of Poetic Reputation
192(22)
Kathleen Hickok
Felicia Hemans and the Revolving Doors of Reception
214(28)
Susan Wolfson
Receiving the Legend, Rethinking the Writer: Letitia Landon and the Poetess Tradition
242(18)
Tricia Lootens
Works Cited 260(25)
Contributors 285(2)
Index 287

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