"The white and black are philosophically opposed. The white of the inside of the piece is -- well -- it's acceptance, it's love, it's gentle, it's very moving; and the black becomes slightly forbidding -- totally different in experience".
"The curve was just worked out by eye. It was not drawn: it was simply laid out on the floor and it seemed a very nice curve and that was it. As you approach the piece -- as you are drawn into it -- you find there is really nothing for the eye to relate to except for an expanse of light that's involving you. And there is the quality of flowing into the piece and not quite being able to determine where the piece begins or stops. You reach a point of stillness in the white..".
"Going around