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9780689838521

Ruby Electric

by
  • ISBN13:

    9780689838521

  • ISBN10:

    0689838522

  • Format: Hardcover
  • Copyright: 2003-06-01
  • Publisher: Atheneum/Richard Jackson Books
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List Price: $16.95

Summary

When the lights go dim and you're sitting in the dark with your popcorn...that's the magic time that Ruby Miller loves best. And then the music creeps in, and the lion roars, or maybe the moon kid goes fishing...For Ruby, age twelve and a half, movies are better than real life. The ones she writes, why, those are the best of all. Those stories work out. The dads in her movies always show up when they've promised. The moms don't hold onto secrets. The little brothers don't curl up with sorrow over some missing stuffed animal. All right, it's Ruby's fault he's missing...But the terrible red-painted graffiti on the concrete riverbanks -- is that her fault, too? She's blamed for it. And here she is on a chain gang with two stupid classmates -- the Dumb and Dumber of Hayes Middle School -- doing community service to make up for it.If she were writing the script, the setup would be intriguing, the middle exciting, and the ending a complete and happy surprise. She has seven pages ready for Spielberg. But then, real life keeps interrupting.Theresa Nelson's novel is an Oscar-worthy wonder, starring a cast easy to care about and impossible to forget.

Author Biography

Theresa Nelson has written six other books for young readers -- and at least six as of yet unproduced screenplays. Four of her novels have been cited as Best Books of the Year by School Library Journal: The 25c Miracle, And One for All, The Beggars' Ride, and Earthshine, a Boston Globe-Horn Book Honor Book. She lives in Sherman Oaks, California, and is married to actor Kevin Cooney. They are the parents of three grown sons.

Supplemental Materials

What is included with this book?

The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.

Excerpts

Chapter 1

Rat-a-tat

Pow! Pow! Pow!

Rat-a-tat

FADE IN:

The Vanishing Point, it's called. "The Little Café with the Big Screen Flavor." It might seem familiar. There's a fake Hollywood restaurant for every mini-mall in the San Fernando Valley.

This one's right next door to Pagliacci's Rent-a-Clown, all but hidden behind their Bozo banner. A person could pass by and never even know it.

That's what has Ruby worried.

Her mother gives her a look. "You okay, honey?"

Ruby stares at her chopsticks. "Sure."

She sinks back in the bamboo seat.

Closes her eyes.

THE SCREEN GOES BLACK.

At first you can hardly hear the tapping. It's only the ghost of a sound. Away off in the dark somewhere, a distant drumming, gradually growing louder:

Rat-a-tat

POW! POW! POW!

FADE IN...slowly...

Now you can see it, too. A single hand, sending out Morse code on an old-time telegraph machine:

POW! POW! POW!

Rat-a-tat

Rat-a-tat

Now the camera PULLS BACK, showing more of the picture. The hand belongs to a girl. A beautiful girl. A beautiful, blue-eyed, golden-haired girl. No freckles. Quite tall for twelve. (You can tell this right away, even though she's hunched over the machine, tapping with all her might.)

TALL GIRL

SOS! SOS! Come in! Come in!

Don't you hear me? SOS! SOS!

Somebody, anybody, please!

CUT TO a long shot of a ship in distress. Lights flickering, people shrieking, icy water pouring through the portholes.

MOVE IN CLOSER: On the deck (tilted now at a sickening angle) the lifeboats are being lowered. But not enough. Not nearly enough. Any fool can see that. As frantic passengers claw their way toward them, and crew members struggle to keep order, a band of brave musicians plays a lilting melody:

Yankee Doodle went to town,

Just to ride a pony,

Stuck a feather in his cap

And called it maca --

"Ruby!"

Still the tireless TALL GIRL in the telegraph office pounds out her tortured message:

SOS! SOS!

Come in, please!

Rat-a-tat --

"Ruby!"

The ship disappears. The band stops playing. The chopsticks rap out a sharp staccato on the edge of the café table.

POW!

Rat-a-tat

Rat-a --

Pearl Miller reaches across a plate of egg rolls and touches her daughter's wrist. The chopsticks freeze in midair.

"Thank you," says Pearl. "Have an egg roll."

"No, thanks."

"Come on. Just one. They're delicious."

Ruby shakes her head. It's a very red head. She squints behind her glasses, trying to change the picture again....

No use. She's still wedged in a half-size corner booth by the window with her mother and her little brother, Pete, still sitting there staring at the pair of them across the soy sauce.

"Not much longer," Mama says. "Another five minutes, maybe. We'll give him another five minutes."

Mama and Pete are both redheaded too, but otherwise normal-looking. Even somewhat better than normal, in Mama's case. She was almost a beauty queen once. In her younger days back in Texas, she was fourth runner-up for Miss Wichita Falls. Of course she would tell you that's all ancient history; it kind of embarrasses her now. But sometimes Ruby gets chills just thinking how a simple twist of fate might have altered their entire lives. What if the actual winner had been unexpectedly visited by some hideous disfigurement? Attacked by marauding bears, say, during a fun-filled but ultimately tragic vacation in Yellowstone? Would they be sitting here right now if, for any reason, the first, second, and third runners-up had been unable to fulfill their duties?

Ice cubes clink. A fat man laughs. A guy with a beard drops his napkin.

As for Pete -- well, Pete is Pete, that's all. Freckles are fine when you're six.

Ruby, on the other hand, has been twelve and a half all year.

"You're sure you're not hungry? You're both bound to be tired. Maybe we ought to -- "

"I'mokay,Mom." Ruby's fists (square-shaped, freckles on the otherwise white knuckles) clench around the chopsticks. "We're okay, right, Pete?"

"Pete's gone," says Pete. He holds up a ragged woolly mammoth puppet. "I am authorized to take all messages."

"Give me a break."

"My name is Mammook."

"Just another five minutes," says Mama.

Ruby looks out the window. Not much there, really. Just a pigeon pecking at a bug on the ledge and the traffic crawling by on Ventura Boulevard and the summer sun setting in a smoggy haze behind the Sizzler across the street. Still, from where Ruby sits, she has a clear view of the sidewalk, so she'll be the first to see him, if he comes.

Frankie Miller, that is.

Her father.

When he comes, that is.

Rat-a-tat

POW! POW! POW!

Rat-a-tat

The ship is sinking fast now. Salt water floods the telegraph office. Still, the TALL GIRL refuses to relinquish her post, though she's up to her waist in the stinking brine:

SOS! SOS!

Rat-a-tat

POW! POW! PO --

Pete gives Ruby a nudge in the ribs. "You're doing it again," he whispers.

"Shut up, Mammook." She pokes him with a chopstick.

Their mother signals the waitress. "Check, please."

"No! He's coming. He promised."

"It's almost eight o'clock, Ruby. We've been here an hour and a half."

"Well, maybe he got lost."

"Oh, honey -- "

"Maybe he got tied up in traffic or there was an accident or -- "

"Are you finished, miss?" asks the waitress, leaning in to take away the egg rolls.

"Yes...I mean, no!" Ruby grabs the plate, playing tug of war until she wins, spilling half a bowl of fried rice in Pete's lap. "I'm still eating, okay, Mom? I'm hungry now. See? You're right, these are really good."

Mama sighs. She nods at the waitress, who walks away with a shrug.

"Five minutes. Tops." Mama shows her watch to Ruby. "Then we're leaving. Got it?"

"Got it," says Ruby, her mouth full of stone-cold shrimp, her eyes on the little black second hand, ticking away.

Rat-a-tat

POW! POW! POW!

Rat-a-tat

CUT TO a second ship, far from the first. Below deck, a YOUNG NAVAL OFFICER is receiving a telegraph signal.

YOUNG OFFICER

SOS. SOS? Dear God, not the "Titanic"!

He rips the printed page from his telegraph machine and tears out of the office.

CUT TO the ship's bow. The CAPTAIN stands at the rail. Square-jawed. Intrepid. A glint of granite in his keen blue eyes. Clearly a man among men. As he gazes out on the moonlit waves, the YOUNG

OFFICER comes running.

YOUNG OFFICER

SOS, sir. From the "Titanic." It's just come in.

CAPTAIN

Well, what are we waiting for, Lieutenant? Turn the ship around!

YOUNG OFFICER

Yes, sir. Right away, sir. But --

CAPTAIN

But what? Speak up, Lieutenant! We've no time to waste!

YOUNG OFFICER

But...well, sir...the radar doesn't seem to be working properly, and unless we can re-wire the throckmorton and decode the coleanthus, I'm afraid that --

CAPTAIN

Confound it, man, speak plainly!

YOUNG OFFICER

I'm not sure we can find them, sir.

A blue minivan pulls into the Sizzler parking lot. An enormous family climbs out. Six or seven kids and a worn out-looking mother. Last of all comes the father, talking on his cell phone. Trailing after the others, taking his time. He's still deep in conversation when the littlest kid (a tiny girl in a ridiculous pink tutu) turns around and comes skipping back to him. She pulls on his shirt sleeve. He doesn't notice her. She pulls again. Now he looks down and sees her looking up at him, waiting. Ruby figures he'll get mad, but he doesn't seem mad. He smiles and touches the kid's wild curls and signs off on his call. Then he hoists her up on his shoulder and carries her inside.

POW! POW! POW!

On the doomed ship, the last dim light begins to die. The end is near, but the TALL GIRL isn't crying. You might think she is, but you're wrong, okay? She grits her teeth. She's no crybaby.

SOS! SOS!

Why didn't we go to the Sizzler?

All you can eat and a sign as big as Dallas.

"Ruby? It's time."

SOS! SOS!

Anybody can find the Sizzler....

"We're waiting, Ruby. Don't you hear me?"

Don't you hear me?

SOS

Rat-a-tat

Pow.

Copyright © 2003 by Theresa Nelson



Excerpted from Ruby Electric by Theresa Nelson
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

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