What is included with this book?
Introduction | |
Russian Represents 'The Other' | |
Foreigners in Russian Cinema: The Extraordinary Case of the 1961 Film "Inostrantsy" | |
New Approaches with Similar Effects: Victor Nekrasov and Italian Neo-Realist Film in the Early 1960s | |
Italians as Others in Late Soviet Film | |
Contemporary Russian Television Commercials and the Transformation of Western Models | |
Aleksandr Rogozhkin's Film "Cuckoo" as a Russian Postcolonial Fairytale | |
Sokurov's "Russian Ark": Reflections on the Russia-Europe Theme | |
The Other Represents Russia | |
Lost in Translation: Did Sound Stop Soviet Films Finding Western Audiences? | |
Lines of Fight in the Face of the Enemy: The Curious Absence of the Face of the Russian Other in Western Cold War Films | |
Bilingualism, Miscegenation and Incest in Regis Wargnier's "Vostok/Zapad" and "Indochine": Russia's Place in the French Postcolonial Imagination | |
Russian Martial Migrants in Contemporary Film | |
The Comfort of Stereotypes in Spielberg's "Terminal": A Post-Soviet Man in the Western Context | |
Conclusion | |
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