Henry John Drewal is Evjue-Bascom Professor of Art History and Afro-American Studies, University of Wisconsin--Madison.
Note on Terminology and Orthography | |
Charting the Voyage | p. 1 |
Mami Wata and the Sierra Leone Diamonds: Wealth and Enslavement in Men's Dreams and the State Economy | p. 19 |
Enchanted Rivers: True Stories about Water Spirits from the Niger Delta | p. 27 |
Burumo Painting: Reflections of the Waterspirit World upon the Body of a Waterspirit-Carrying-Woman | p. 49 |
Water Spirits in Water-less Places: The Case of Madame Sabot | p. 75 |
Mami Wata, Mr. White, and the Sirens off Bar Beach: Spirits and Dangerous Consumption in the Nigerian Popular Press | p. 87 |
A Memoir of Mami Wata in Azumini | p. 95 |
Tale of the Achikobo: It's the Tail That Is Mine | p. 105 |
Mami Wata, Wealth-Owning Spirits, and Changing Economic Morals in West Africa | p. 115 |
Congolese Mami Wata: The Charm and Delusion of Modernity | p. 125 |
Tafisula or The Mami Wata: A Mwondo Theatre Production | p. 143 |
A Fish Out of Water: The Inland Migration of the Dona Fish to the Luapula Plateau, Zambia | p. 157 |
Abidjan Mamiwater and Aba Yaba: Two Profiles of Mami/Maame Water Priesthood in Ghana | p. 171 |
A Tribute to Mami Wata Vodun Supreme Chief Daagbo Hounon Houna | p. 191 |
The Laughing Vodou Goddess: A Photo-Essay | p. 209 |
Mami Wata: The Goddess of Water and Beauty Lives | p. 213 |
The Mami-Wata Phenomenon: "Old Wine in New Skin" | p. 217 |
Mami Wata, Water Spirits, and Returners in and near the Igbo Culture Area | p. 229 |
Dada-Dreadlock-Hair: The Hidden Messages of Mammy Water in Southeastern Nigeria | p. 245 |
Mermaids and Mami Wata on Brassware from Old Calabar | p. 259 |
The Ejagham Interpretation of a Sculpture of Mami Wata | p. 277 |
Mami Watas, Miengu, and Mermaids: Water Spirits of Coastal Cameroon | p. 293 |
Water Spirits and Mermaids: The Copperbelt Chitapo Brian Siegel | |
Mummy Wata Goes South: An Interview with a Zulu Devotee | p. 315 |
"Oh hurry to the river!" uMamlambo Models in the Eastern Cape, South Africa | p. 325 |
Mami Wata: The Slippery Mermaid Phenomenon | p. 339 |
Mammy Wata, Inc | p. 351 |
Mami Wata: An Urban Presence or the Making of a Tradition in Benin City, Nigeria | p. 361 |
Mami Water as a Christian Demon: The Eroticism of Forbidden Pleasures in Southern Ghana | p. 383 |
Mami Wata: A Vanishing Art in Port Harcourt, Nigeria | p. 399 |
Mermaids and End-Time Jezebels: New Tales from Old Calabar | p. 405 |
The Intersection of Evangelism, AIDS, and Mami Wata in Popular Music in Centrafrique | p. 413 |
The Role of Mammy Wata as an Agent for the Promotion of Ogoni National Identity | p. 423 |
Of Micro-hydros and Mami Wata: Rural Development Meets Mythological Reality | p. 435 |
The Bride of the Rain in North Africa | p. 447 |
Death of the Mermaid and Political Intrigue in the Indian Ocean | p. 451 |
Somewhere under Dan's Rainbow: Joseph Kossivi Ahiator's "India Spirits" in His Mami Wata Pantheon | p. 467 |
Inbetweeners: Mamiwata and the Hybridity of Contemporary African Art | p. 479 |
Jack Akpan's Mammy-Water | p. 493 |
The Creation and Consecration of a Mami Wata Sculpture | p. 507 |
Communicating with the Gods: An Altar Dedication to Mami Wata | p. 511 |
The Ever-Changing Face of Watramama in Suriname: A Water Goddess in Creolization since the Seventeenth Century | p. 525 |
Saramaka Sea Gods | p. 549 |
Arts for the Water Spirits of Haitian Vodou | p. 561 |
Sodo, Haiti, 1997-2001: The Pilgrimage to Healing Waters - A Photo-Essay | p. 569 |
Misterios: The Making of a Documentary as a Way of Exploring One's Own Faith | p. 573 |
Mami Wata - "It's in the Blood": A Personal Journal of Ancestral Resurrection in the Aftermath of Slavery | p. 579 |
List of References | p. 593 |
List of Illustrations and Other Media | p. 627 |
Index | p. 657 |
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