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Introduction: Performance Studies at the Intersections | |
Performance and Theory | |
Performance Trouble | |
Stages: Queers, Punks, and the Utopian Performative | |
Never, Again | |
Performance and Globalization | |
Performance, Performativity, and Cultural Poesis in Practices of Everyday Life | |
Performance and History | |
Performing History: A Politics of Location | |
Genealogies of Performance Studies | |
Memory, Remembering, and Histories of Change: A Performance Praxis | |
Minstrelsy and Mental Metempsychosis: Mid-Nineteenth Century American Women's Performance Criticism | |
What to Do When Nuclear War Breaks Out | |
Performance and Literature | |
Performance of and Beyond Literature | |
Shifting Contexts in Personal Narrative Performance | |
The Constructed Self: Strategic and Aesthetic Choices in Autobiographical Performance | |
The Strange Case of the Body in the Performance of Literature Classroom: An Enduring Mystery | |
On the Bias: From Performance of Literature to Performance Composition | |
Staging Paradox: The Local Art of Adaptation | |
Performance and Pedagogy | |
Performance and Pedagogy | |
Fieldwork in the Performance Studies Classroom: Learning Objectives and the Activist Curriculum | |
Ambulant Pedagogy | |
Pedagogy on the Move: New Intersections in (Between) the Educative and the Performative | |
Unlocking the Doors for Incarcerated Women Through Performance and Creative Writing | |
The Politics and Ethics of Performance Pedagogy: Toward a Pedagogy of Hope | |
Performance and Ethnography | |
Performance and Ethnography, Performing Ethnography, Performance Ethnography | |
Dwight Conquergood's "Rethinking Ethnography" | |
Rethinking Ethnography: Towards a Critical Cultural Politics | |
Ethnography and the Politics of Adaptation: Leon Forest's Divine Days | |
"She Attempted to Take Over the Choreography of the Sex Act": Dance Ethnography and the Movement Vocabulary of Sex and Labor | |
Staging Fieldwork/Performing Human Rights | |
Performance and Politics | |
Performance and Politics: Themes and Arguments | |
The Problem Democracy Is Supposed to Solve: The Politics of Community-Based Performance | |
Black Performance Studies: Genealogies, Politics, Futures | |
Lethal Theatre: Performance, Punishment, and the Death Penalty | |
Who Is This Ancestor?: Performing Memory in Ghana's Slave Castle-Dungeons (A Multimedia Performance Meditation) | |
The Polemics and Potential of Theatre Studies and Performance | |
Table of Contents provided by Ingram. All Rights Reserved. |
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The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.