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Preface | |
Acknowledgments | |
History, Rhetoric, and the Self: Robert Schumann and Music Making in German-Speaking Europe, 1800-1860 | p. 3 |
Schumann's Homelessness | p. 47 |
On Quotation in Schumann's Music | p. 80 |
Schumann's Symphonic Finales | p. 113 |
Schumann's "New Genre for the Concert Hall": Das Paradies und die Peri in the Eyes of a Contemporary | p. 129 |
The Intentional Tourist: Romantic Irony in the Eichendorff Liederkreis of Robert Schumann | p. 156 |
"Actually, Taken Directly from Family Life": Robert Schumann's Album fur die Jugend | p. 171 |
The Correspondence between Clara Wieck Schumann and Felix and Paul Mendelssohn | p. 205 |
Reminiscences of Robert Schumann (1878) | p. 233 |
Robert Schumann in Endenich (1899) | p. 268 |
Schumanniana (1925) | p. 288 |
On Robert Schumann's Piano Compositions (1844) | p. 303 |
Robert Schumann with Reference to Mendelssohn-Bartholdy and the Development of Modern Music in General (1845) | p. 317 |
Robert Schumann (1855) | p. 338 |
Schumanniana No. 4: The Present Musical Epoch and Robert Schumann's Position in Music History (1861) | p. 362 |
On Schumann as Symphonist (1904-1906) | p. 375 |
Index of Names and Compositions | p. 385 |
List of Contributors | p. 395 |
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