Preface | p. 5 |
Past and Present | |
The Cinema Spectator: A Special Memory | p. 9 |
Max Ophuls and Instant Messaging. Reframing Cinema and Publicness | p. 22 |
End or Beginning: The New Cinephilia | p. 30 |
Theory Matters | |
Moving away from the Index. Cinema and the Impression of Reality | p. 42 |
Lost in Space and Found in a Fold. Cinema and the Irony of Media | p. 61 |
Other Spaces / Other Media | |
1970 and Beyond. Experimental Cinema and Art Spaces | p. 78 |
Interactive Cinema and the Uncinematic | p. 93 |
Permanent Metalepsis. Pushing the Boundaries of Narrative Space | p. 108 |
What Will Have Been Film, what Theater?: On the Presence of Moving Images in Theater | p. 126 |
States of the Image | |
Where Film Drops off. Michael Mann's High-Definition Images | p. 137 |
Cinema on the Web and Newer Psychology | p. 150 |
Movable Images on Portable Devices | p. 169 |
Contributors and Acknowledgments | p. 179 |
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