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Introduction | |
Reception Histories | |
From Exhibition to Reception: Reflections on the Audience in Film History | |
Hollywood Memories | |
The `Popular' Cash and Culture in the Postwar British Cinema | |
Social Histories | |
Scenarios of Exposure in the Practice of Everyday Life, Constance | |
The Proletarian Woman's Film of the 1930s: Contending With Censorship and Entertainment | |
The Married Love Affair | |
Institutional Histories | |
Copyright Protection in Theatre, Vaudeville, and Early Cinema | |
`Spread Like a Monster Blanket Over the Country': CBS and Television, 1929-33 | |
Writing the History of the American Film Industry: Warner Bros and Sound | |
The Disney-Fleischer Dilemma: Product Differentiation and Technological Innovation | |
Baby Face, or How Joe Breen Made Barbara Stanwyck Atone for Causing the Wall Street Crash | |
Textual Histories | |
A Scene at the `Movies' | |
Narrative/Diegesis: Thresholds, Limits | |
Heard Over the Phone: The Lonely Villa and the de Lorde Tradition of the Terrors of Technology | |
Appendix: Screen History in Screen, 1972-1997 | |
Notes on Contributors | |
Table of Contents provided by Publisher. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.