Screening the Beats

by Sterritt, David

• ISBN13: 9780809325634
• ISBN10: 0809325632
• Format: Hardcover
• Copyright: 2004-01-23
• Publisher: Southern Illinois Univ Pr

Summary

Film critic David Sterritt'sScreening the Beats: Media Culture and the Beat Sensibilityshowcases the social and aesthetic viewpoints of lynchpin Beat writers Jack Kerouac, William S. Burroughs, and Allen Ginsberg, juxtaposing their artistry with 1950s culture and achieving what Kerouac might have called a "bookmovie" riff. In clear prose, Sterritt captures the raw energy of the Beats and joins in their celebration of aesthetic freakishness. Tapping into the diversified spirit of the Beat Generation and its nuanced relationship with postwar American culture, Sterritt considers how the Beats variously foreground, challenge, and illuminate major issues in Hollywood and avant-garde film, critical and cultural theory, and music in the mass-media age. Sterritt engages the creative and spiritual facets of the Beats, emulating their desire to evoke ephemeral aspects of human existence. Dealing with both high and low cultures as well as various subcultures, he highlights the complementary contributions to cultural creativity made by these authors.Screening the Beatsgrapples with paradoxes in Beat writing, in particular the conflict between spiritual purity and secular connectedness, which often materialized in the beatific bebop spontaneity, Zen-like transcendentalism, and plain hipster smarts that characterized the writings of Kerouac, Burroughs, and Ginsberg. This interdisciplinary study tackles such topics as Ginsberg's and Kerouac's uses of racial and ethnic stereotypes prevalent in the popular movies of the 1950s era; the uses and limitations of improvisation as a creative tool in literature, jazz, and film; Kerouac's use of cinematic metaphor to evoke Buddhist concepts; and intersections of the grotesque and carnivalesque in works as seemingly diverse as autobiographical novels by Kerouac, a radio play by Antonin Artaud, cultural theories of Gilles Deleuze and Felix Guattari, and the boisterous lunacy of Three Stooges farce. Deftly threading literary, musical, and cinematic works with a colorful array of critical theories,Screening the Beatsilluminates the relationship between American culture and the imaginative forces of the Beat Generation.

Author Biography

David Sterritt is a professor of theater and film at the C. W. Post Campus of Long Island University.

Table of Contents

Preface	p. ix
Acknowledgments	p. xv
Beats, Movies, and Ills of Postwar America	p. 1
Lisped, Muxed, and Completely Flunk: Jack Kerouac Meets the Three Stooges	p. 21
Desolation Angels: Kerouac, Buddhism, and Film	p. 48
Revision, Prevision, and the Aura of Improvisatory Art	p. 57
Constructing the Grotesque Body in Word, Image, and Sound	p. 77
Notes	p. 105
Index	p. 127
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