Screening Integration

by Durmelat, Sylvie; Swamy, Vinay

• ISBN13: 9780803228252
• ISBN10: 0803228252
• Format: Paperback
• Copyright: 2012-01-01
• Publisher: Univ of Nebraska Pr

Summary

North African immigrants, once confined to France's social and cultural margins, have become a strong presence in France's national life. Similarly, descendants of immigrants from Morocco, Algeria, and Tunisia have gained mainstream recognition as filmmakers and as the subject of films. The first collective volume on this topic, Screening Integrationoffers a sustained critical analysis of this cinema. In particular, contributors evaluate how Maghrebi films have come to participate in, promote, and, at the same time, critique France's integration. In the process, these essays reflect on the conditions that allowed for the burgeoning of this cinema in the first place, as well as on the social changes the films delineate. Screening Integrationbrings together established scholars in the fields of postcolonial, Francophone, and film studies to address the latest developments in this cinematic production. These authors explore the emergence of various genres that recast the sometimes fossilized idea of ethnic difference. Screening Integrationprovides a much-needed reference for those interested in comprehending the complex shifts in twenty-first century French cinema and in the multicultural social formations that have become an integral part of contemporary France in the new millennium.

Author Biography

Sylvie Durmelat is an associate professor of French and Francophone studies at Georgetown University. She is the author of Fictions de l'intgration and articles in Immigrant Narratives in Contemporary France and Expressions maghrbines. Vinay Swamy is an associate professor of French and Francophone studies at Vassar College and the author of Interpreting the Republic: Marginalizaion and Belonging in Contemporary French Novels and Films.

Table of Contents

Acknowledgments	p. vii
Introduction	p. 1
From "Ghettoes" to Globalization: Situating Maghrebi-French Filmmakers	p. 25
Hidden Islam: The Role of the Religious in Beur and Banlieue Cinema	p. 41
"Et si on allait en Algérie?" Home, Displacement, and the Myth of Return in Recent Journey Films by Maghrebi-French and North African Émigré Directors	p. 58
Turning Integration Inside Out: How Johnny the Frenchman Became Abdel Bachir the Arab Grocer in Il était une fois dans l'oued	p. 77
Re-Visions of the Algerian War of Independence: Writing the Memories of Algerian Immigrants into French Cinema	p. 93
Rachid Bouchareb's Indigènes: Political or Ethical Event of Memory?	p. 112
Class Acts: Education, Gender, and Integration in Recent French Cinema	p. 127
Don't Touch the White Woman: Lajournée de lajupe or Feminism at the Service of Islamophobia	p. 144
A Space of Their Own? Women in Maghrebi-French Filmmaking	p. 161
Sexual/Social (Re)Orientations: Cross-Dressing, Queerness, and the Maghrebi/Beur Male in Liria Bégéja's Change-moi ma vie and Amal Bedjaoui's Un fils	p. 178
(Re)Casting Sami Bouajila: An Ambiguous Model of Integration, Belonging, and Citizenship	p. 194
Repackaging the Banlieues: Malik Ghibane's La trilogie urbaine	p. 211
Filmography	p. 228
Contributors	p. 239
Index	p. 243
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