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9780826415684

Screenwriting The Sequence Approach

by Gulino, Paul
  • ISBN13:

    9780826415684

  • ISBN10:

    0826415687

  • Format: Paperback
  • Copyright: 2004-04-27
  • Publisher: Bloomsbury Academic

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Summary

The great challenge in writing a feature-length screenplay is sustaining audience involvement from page one through 120. Screenwriting: The Sequence Approach expounds on an often-overlooked tool that can be key in solving this problem. A screenplay can be understood as being built of sequences of about fifteen pages each, and by focusing on solving the dramatic aspects of each of these sequences in detail, a writer can more easily conquer the challenges posed by the script as a whole. The sequence approach has its foundation in early Hollywood cinema (until the 1950s, most screenplays were formatted with sequences explicitly identified), and has been rediscovered and used effectively at such film schools as the University of Southern California, Columbia University and Chapman University. This book exposes a wide audience to the approach for the first time, introducing the concept then providing a sequence analysis of eleven significant feature films made between 1940 and 2000: The Shop Around The Corner / Double Indemnity / Nights of Cabiria / North By Northwest / Lawrence of Arabia / The Graduate / One Flew Over the Cuckoo's Nest / Toy Story / Air Force One / Being John Malkovich / The Fellowship of the Ring>

Author Biography

Paul Joseph Gulino is Associate Professor of Screenwriting at Chapman University in California.

Table of Contents

Acknowledgments ix
Author's Note xi
Foreword xiii
1 An Introduction to Sequences
1(19)
Why Sequences?
1(2)
The Origin of Sequences
3(1)
How A Screenplay Works
4(8)
How Sequences Work
12(8)
2 Toy Story: Firing on All Eight
20(21)
3 The Shop Around the Corner: Fractured Symmetry
41(23)
4 Double Indemnity: Flashback to the Future
64(16)
5 Fellini's Nights of Cabiria: Nocturnal Episodes
80(17)
6 North by Northwest: 1,700 Miles in Nine Sequences
97(17)
7 Lawrence of Arabia: Sixteen Sequences and an Intermission
114(31)
8 The Graduate: Passive Main Character
145(13)
9 One Flew Over the Cuckoo's Nest: Midpoint Reversal
158(14)
10 Air Force One: Eight Sequences Eight Miles Up 172(10)
11 Being John Malkovich: The Disappearing Lead Actor 182(17)
12 The Fellowship of the Ring: The Shotgun Approach 199(26)
Sources 225(2)
Index 227

Supplemental Materials

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