Foreword | p. xv |
Introduction: "Screenwriters must become storytellers." | p. xvii |
Screenthinking: "What is my story about?" | p. 1 |
Screenwriting Is Storytelling | p. 3 |
Movies Are Entertainment | p. 13 |
The Big Idea | p. 32 |
The Four "Story" Questions | p. 40 |
Form: 3-Act Paradigms | p. 45 |
Spine: The Process | p. 65 |
Integrating Form and Spine | p. 79 |
Critical Thinking and Creative Tools | p. 86 |
Screenplanning: "How does my story make the audience feel?" | p. 93 |
Genre | p. 95 |
Plot vs. Story | p. 106 |
Creating the Main Character | p. 112 |
Creating the Antagonist | p. 118 |
Supporting Characters Who Tell the Story | p. 123 |
Creating Dramatic Conflict | p. 129 |
Moral Dilemma and the Moral of the Story | p. 135 |
Following the Emotional Story | p. 146 |
Screenwriting: "This is what my story is about." | p. 153 |
The One-Page Summary | p. 155 |
The Step Outline | p. 160 |
Creating the Scene | p. 174 |
Originality | p. 182 |
Where Good Scripts Go Wrong | p. 190 |
Rewriting and Script Doctoring: "What is my story really about?" | p. 201 |
Writing Is Rewriting | p. 203 |
Breaking in and Staying There | p. 219 |
Breaking In | p. 221 |
Second Careers and Reinventing Yourself | p. 231 |
Postcript: "Becoming a Storyteller" | p. 239 |
Appendices | |
Entertainment Industry Organizations | p. 242 |
Screenwriting Competitions | p. 244 |
Popular Internet Websites for Screenwriters | p. 247 |
"Standard U.S. Format" and Elements of Screenwriting | p. 250 |
Bibliography and Recommended Reading | p. 251 |
Index | p. 253 |
About the Author | p. 261 |
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