Preface | p. ix |
Featured Articles | |
Jazz Theory--An Overview | p. 1 |
Blurring the Barline: Metric Displacement in the Piano Solos of Herbie Hancock | p. 19 |
Blues for You, Johnny: Johnny Dodds and His "Wild Man Blues" Recordings of 1927 and 1928 | p. 39 |
Linear Intervallic Patterns in Jazz Repertory | p. 63 |
Microrhythms in Jazz: A Review of Papers | p. 117 |
The Art of Charlie Parker's Rhetoric | p. 141 |
John Coltrane's Meditations Suite--A Study in Symmetry | p. 167 |
Outrageous Clusters: Dissonant Semitonal Cells in the Music of Thelonious Monk | p. 181 |
Pedagogy | |
How Weird Can Things Get? (Maps for Pantonal Improvisation) | p. 203 |
Hearing Chords | p. 227 |
Transcribing a Solo Using a Tape Constructed from a Compact Disc Player with A/B Repeat Function | p. 243 |
Book Review | |
What to Listen for in Jazz, by Barry Kernfeld (Yale, 1995) | p. 247 |
CD Review | |
Big Band Renaissance, a CD recording selected by Bill Kirchner (Smithsonian, 1995) | p. 261 |
About the Editor | p. 279 |
About the Contributors | p. 281 |
About the Institute of Jazz Studies | p. 285 |
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