What is included with this book?
The Comedia in English: An Overview of Translation and Performance | p. 1 |
Translating and Adapting the Comedja | |
Translating Comedias into English Verse for Modern Audiences | p. 37 |
Translating the Polymetric Comedia for Performance (with Special Reference to Lope de Vega's Sonnets) | p. 54 |
Lope de Vega in English: The Historicised Imagination | p. 66 |
Found in Translation: Maria de Zayas's Friendship Betrayed and the English-Speaking Stage | p. 83 |
Transformation and Fluidity in the Translation of Classical Texts for Performance: The Case of Cervantes's Entremeses | p. 95 |
Translation as Relocation | p. 108 |
Directing and Contextualizing the Comedia | |
Rehearsing Spite for Spite | p. 127 |
Directing Don Juan, The Trickster Of Seville | p. 140 |
Directing the Comedia: Notes on a Process | p. 153 |
Tirso's Tamar Untamed: A Lesson of the Royal Shakespeare Company's Production | p. 164 |
The Loss of Context and the Traps of Gender in Sor Juana's Los empenos de una casa / House of Desires | p. 177 |
Viewing and Reviewing the Comedia | |
Tirso's Burlador de Sevilla as Play text in English | p. 189 |
Anne McNaughton's Don Juan: A Rogue for All Seasons | p. 202 |
Aspectual, Performative, and "Foreign" Lope / Shakespeare: Staging Capulets & Montagues and Peribahez in English and Romeo and Juliet in "Sicilian" | p. 214 |
Zayas's Comic Sense: The First Performance in English of La traicion en la amistad | p. 229 |
Maria de Zayas's Friendship Betrayed a la Hollywood: Translation, Transculturation, and Production | p. 240 |
Works Cited | p. 255 |
Index | p. 277 |
Table of Contents provided by Blackwell. All Rights Reserved. |
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