Foreword | |
Preface | |
Editor's Preface | |
Notes to the Reader | |
Art and Intimacy | p. 1 |
The Evolution of a Critic: Changing Views in the Writings of Duncan Phillips | p. 9 |
A Collection in the Making | p. 25 |
Sources of Modernism | p. 35 |
France in the Late Nineteenth Century | p. 79 |
The American Vision | |
The American Tradition and American Impressionism | p. 127 |
Duncan Phillips and the American Popular Tradition | p. 169 |
Modernism in France | |
Bonnard, Matisse, and the School of Paris | p. 185 |
Braque, Picasso, Other Cubists | p. 233 |
The Dreier Gift and Other European Modernists | p. 267 |
The Spirit of Revolt and the Beginning of American Modernism | p. 307 |
Duncan Phillips and American Modernism: The Continuing Legacy of the Experiment Station | p. 375 |
The American Scene: Realism and Social Concern | p. 453 |
Painting in Europe After the Second World War | p. 503 |
American Art After the Second World War | p. 549 |
The Phillips Collection and Art in Washington | |
Washington and Baltimore Artists from the 1930s Through the 1950s | p. 607 |
Washington Art in the 1960s and Beyond | p. 637 |
Exhibitions at The Phillips Collection | p. 659 |
The Published and Unpublished Writings of Duncan Phillips | p. 675 |
Entry Contributors | p. 682 |
Museum Publications | p. 683 |
Frequently Cited Names and Institutions | p. 684 |
Notes and References | p. 685 |
Acknowledgments | p. 810 |
Index | p. 812 |
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