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Preface | |
General abbreviations | |
Abbreviations for the works of Johann Mattheson | |
The legacy of Johan Mattheson: a retrospective evaluation | |
Mattheson and His Times | |
Hamburg zur Zeit Johann Matthesons: Politik, Wirtschaft und Kultur Hans | |
Johann Mattheson als Diplomat in Hamburg | |
Mattheson and the aesthetics of theater | |
Zur hamburgischen Gelehrtenrepublik im Zeitalter Matthesons | |
Mattheson as Composer and Writer on Music | |
Johann Mattheson's 'Inquiring Composer' | |
Mattheson's arrangement of Handel's Radamisto for the Hamburg Opera | |
Mattheson als Begrnnder der ersten Musikzeitschrift (Critica musica) | |
Polemik als Erkenntnisform: Bemerkungen zu den Schriften | |
Unbekannte Kompositionen aus Johann Mattheson's Nachlass | |
Mattheson on performance practice | |
Die Verzierungskunst aus Matthesons | |
Mattheson and his Contemporaries | |
Der vollkommene Capellmeister as a stimulus to J. S. Bach's late fugal writing | |
Mattheson and Handel: their musical relations in Hamburg | |
Mattheson und Gottsched | |
Mattheson as biographer of Handel | |
Johann Mattheson and J. S. Bach: the Hamburg connection | |
Mattheson and the Music Theory and Aesthtics of the Eighteenth Century | |
Zur Handhabung der 'inventio' in der deutchen Musiklehre des frnhen achtzehnten | |
Johann Mattheson and the invention of the Affektenlehre | |
The genesis of Mattheson's style classification | |
Mattheson und die franz÷sische Musik | |
Verwechselung, Voraunsnehmung, and Verz÷gerung: important Mattheson contributions to eighteenth-century music theory | |
Mattheson Bibliography: An Evaluation | |
Johann Mattheson's historical significance: conflicting viewpoints | |
Name index | |
Index of Mattheson's writings and compositions | |
Table of Contents provided by Publisher. All Rights Reserved. |
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