Acknowledgments | p. 6 |
Contributors | p. 8 |
Chronology | p. 9 |
Introduction | p. 12 |
In the Name of the Real | p. 28 |
Painting and the Built Environment in Late-Nineteenth-Century Shanghai | p. 60 |
Sketch Conceptualism as Modernist Contingency | p. 102 |
Relocations: Spaces of Chinese Visual Modernity | p. 162 |
Li Keran and His Exhibition Paintings | p. 182 |
Aesthetic Appropriation of Ancient Calligraphy in Modern China | p. 212 |
From Wu Dacheng to Mao Zedong: The Transformation of Chinese Calligraphy in the Twentieth Century | p. 246 |
Mapping Chinese Modernity | p. 284 |
Glossary | p. 306 |
Photograph Credits | p. 310 |
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