Introduction | |
1. How different was Brahms's playing style from our own? Bernard D. Sherman | |
2. Performing Brahms's music: clues from his letters Styra Avins | |
3. Joachim's violin playing and the performance of Brahms's string music Clive Brown | |
4. Metronome marks and timings Bernard D. Sherman | |
5. Performance issues in A German Requiem Michael Musgrave with Appendix: 'Ein deutsches Requiem', Siegfried Ochs, introduced and translated by Michael Musgrave | |
6. Fanny Davies and Brahms's late chamber music George S. Bozarth | |
7. Flexible tempo and nuancing in orchestral music: Understanding Brahms's view of interpretation in his Second Piano Concerto and Fourth Symphony Robert Pascall and Philip Weller | |
8. Brahms in the Meiningen Tradition: His Symphonies and Haydn Variations in the Markings by Fritz Steinbach Edited by Walter Blume, Excerpt: The First Symphony Walter Frisch (translation and introduction) | |
9. In search of Brahms's First Symphony: Steinbach, the Meiningen tradition and the recordings of Hermann Abendroth Walter Frisch | |
10. Early trends in the recorded performance of Brahms's music Michael Musgrave | |
11. Performing Brahms in the Style Hongrois Jonathan Bellman | |
12. Brahms's musical world: balancing the evidence Robert Philip | |
Appendix: Introduction to supplementary CD and list of contents | |
Discography. |
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