Notes on Contributors | |
Introduction | |
Origins, Beginnings, And The New | |
Philosophy | |
Religion | |
Politics | |
The Physical Sciences | |
The Biological Sciences | |
Technology | |
Psychology | |
Anthropology | |
Obscenity and Censorship | |
Language | |
Geography | |
Publishing | |
Sex & Sexuality | |
Movements | |
Literary Symbolism | |
Dada | |
Futurism | |
Vorticism | |
Imagism | |
Surrealism | |
Expressionism | |
Literary Impressionism | |
Modernist Genres And Modern Media | |
The Novel | |
Poetry | |
Drama | |
Visual Arts | |
Film | |
Music | |
Dance | |
Architecture | |
Photography | |
Readings | |
WHAuden, Look, Stranger! | |
Djuna Barnes, Nightwood | |
Samuel Beckett, Murphy | |
Joseph Conrad, Heart of Darkness | |
TSEliot, The Waste Land | |
William Faulkner, The Sound and the Fury | |
FScott Fitzgerald, The Great Gatsby | |
Ford Madox Ford, The Good Soldier | |
The Poetry of HD. | |
Langston Hughes, Fine Clothes to the Jew | |
Zora Neale Hurston, Their Eyes Were Watching God | |
James Joyce, Ulysses | |
DHLawrence, Women in Love | |
Wyndham Lewis, Tarr | |
Mina Loy, Lunar Baedecker | |
Marianne Moore, Observations | |
Ezra Pound, Hugh Selwyn Mauberley | |
Dorothy Richardson, Pilgrimage | |
Gertrude Stein, Three Lives | |
Wallace Stevens, Harmonium | |
Nathanael West, Miss Lonelyhearts | |
William Carlos Williams, Paterson | |
Virginia Woolf, To the Lighthouse | |
Richard Wright, Native Son | |
WBYeats, The Tower | |
Modernist Critical Prose | |
Other Modernisms | |
Modernism and Race | |
Modernism and Gender | |
Modernism Queered | |
Postcolonial Modernism | |
Global Modernisms | |
Postmodernism | |
Epilogue: Back to the Future | |
Index | |
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