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9780714825939

Chinese Potter

by
  • ISBN13:

    9780714825939

  • ISBN10:

    071482593X

  • Edition: Revised
  • Format: Paperback
  • Copyright: 1999-03-18
  • Publisher: Phaidon Press
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List Price: $27.95

Summary

China has the longest and most highly developed ceramic tradition in theorld, encompassing early Neolithic earthenwares, the finely glazed stonewareieces of the Song period, and the years of Imperial patronage and exportare for the new markets of the West.;Most studies of Chinese art deal withypes, period or styles, but this historical examination of Chinese ceramics,hich uses recent research, explains how the evolution of pottery dependedpon the technological developments of the Chinese culture. The book'sractical approach makes full use of archaeological reports to show howiffering geographical areas, materials and developing technology all shapedhe evolution of Chinese ceramics.

Author Biography

Margaret Medley was formerly Curator of the Percival David Foundation of Chinese Art, the University of London, and a distinguished authority on Chinese ceramics.

Table of Contents

Preface 8(2)
Chronology of Chinese Dynasties and Periods 10(1)
Introduction The Potter and his Materials 11(6)
Part One: The Basic Technology
Pre-Han Unglazed Earthenware
17(22)
The Neolithic Cultures of North China
17(2)
Yang-shao Pottery
19(5)
Lung-shan Pottery
24(4)
Southern Neolithic Pottery
28(1)
Shang and Chou
29(10)
Glazed Wares from Shang to Han
39(15)
Glazed Wares of Shang
40(4)
Chou Glazed Ware
44(4)
Han Period High-Fired Earthenware
48(2)
Han Lead Glazed Earthenware
50(4)
Technical Consolidation: The Period of the Northern and Southern Dynasties
54(21)
The Northern Dynasties Unglazed Earthenware
54(6)
Southern Region Glazed Wares
60(10)
Northern Glazed Wares in the Sixth Century
70(5)
Part Two: The Period of Discovery and Innovation
New Inspiration in T'ang
75(28)
Lead Glazed Wares
77(12)
Stoneware with Coloured Glazes
89(8)
White Wares and Porcelain
97(6)
North China from the Tenth to the Fourteenth Century
103(42)
`Classic Wares'
106(17)
Popular Wares
123(22)
South China from the Tenth to the Fourteenth Century
145(24)
Lung-chuan
146(6)
Kuan Ware
152(6)
Chi-chou Ware
158(4)
Chien
162(2)
Jao-chou, ch'ing-pai and the Rise of Ching-te Chen
164(5)
The Last Great Innovation
169(23)
Historical and Economic Background
169(2)
Industrialization of the Potteries
171(1)
Ch'ing-pai and its Development
171(5)
Underglaze Painting on Porcelain
176(2)
Blue and White for the Overseas Market
178(8)
Products for the Domestic Market
186(6)
Part Three: Development and Variations
Imperial Patronage
192(23)
Transition to the Fifteenth-Century Imperial Style
195(6)
Interregnum
201(1)
Ch'eng-hua and Hung-chih
202(12)
Reign Marks
214(1)
Popular Taste and New Markets
215(25)
The Ceramic Industry
216(1)
Blue and White and Polychrome in the Sixteenth Century
217(7)
Monochrome in the Sixteenth Century
224(1)
Decorative Style under Wan-li and his Successors
224(1)
Kraak Porselein
225(4)
Transitional Style Porcelain
229(3)
Te-hua Ware
232(2)
Swatow Ware
234(2)
The Japanese Market
236(4)
Technical Virtuosity
240(26)
Reorganization at Ching-te Chen
240(2)
Famille Verte and its Variants
242(3)
Famille Rose and Ku Yueh Hsuan
245(5)
Monochrome Glazes
250(9)
White Wares
259(2)
Export Wares for Europe
261(2)
I-hsing and Kuang-tung Stonewares
263(3)
Conclusion 266(2)
Notes 268(9)
Reign Marks 277(2)
Glossary 279(3)
Bibliography 282(3)
Index 285

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