Table of contents | |
Acknowledgments | |
Introduction | |
Tabula gratulatoria | |
"The difficulties are the chance of the artist": Poetics, creation, and the modern poem | p. 1 |
Gerard Reve and romantic irony | p. 29 |
The emperor's new clothes: The fate of western love | p. 41 |
Between love and shame: Aspects of recent Flemish prose | p. 55 |
Two Dutch opinions in the early eighteenth century: Justus van Effen and Jacob Campo Weyerman | p. 63 |
Tales of Hoffham | p. 77 |
Canon reconfiguration in Low Countries? | p. 93 |
Dutch poetry since 1960 reconsidered | p. 109 |
Symbolist tendencies in late nineteenth century Dutch literature | p. 129 |
Woman as madonna, virgin, amazon, and bride in the poetry of Hendrik Marsman | p. 141 |
Meaningful surfaces | p. 157 |
Belle van Zuylen revisited | p. 167 |
History, institution, imagination: The epic in the Dutch Republic and what it teaches us | p. 175 |
Stefan Hertmans and Wallace Stevens: A postmodernist dialogue with modernist tradition | p. 193 |
The artistic transgression of limits: The case of the Flemish artist Patrick van Caeckenbergh | p. 205 |
The turn of the native: Literary portraits of Indonesians in Dutch colonial fiction | p. 213 |
Nature, nurture, and narcissism in two recent Dutch "European" novels: Nelleke Noordervliet's De naam van de vader and Tessa de Loo's De tweeling | p. 239 |
Fanatic moderation: The unconventional wisdom of J. P. Guepin | p. 255 |
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