Acknowledgments | ix | ||||
Preface: A Film That Fits a Lot of Descriptions | |||||
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xi | ||||
Introduction: Main Critical Issues in The Searchers | |||||
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1 | (46) | |||
The Searchers: An American Dilemma | |||||
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47 | (28) | |||
John Wayne and The Searchers | |||||
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75 | (18) | |||
Sermons in Stone: Monument Valley in The Searchers | |||||
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93 | (16) | |||
"Typically American": Music for The Searchers | |||||
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109 | (36) | |||
Homer's Iliad and John Ford's The Searchers | |||||
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145 | (26) | |||
What Would Martha Want? Captivity, Purity, and Feminine Values in The Searchers | |||||
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171 | (26) | |||
Incest and Miscegenation in The Searchers (1956) and The Unforgiven (1959) | |||||
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197 | (26) | |||
Double Vision: Miscegenation and Point of View in The Searchers | |||||
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223 | (16) | |||
"You Couldn't Hit It on the Nose": The Limits of Knowledge in and of The Searchers | |||||
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239 | (26) | |||
"That Don't Make You Kin!": Borderlands History and Culture in The Searchers | |||||
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265 | (24) | |||
Re-searching | |||||
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289 | (46) | |||
Native American Reactions to The Searchers | |||||
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335 | (8) | |||
Film Credits | 343 | (2) | |||
Selected Bibliography | 345 | (10) | |||
Index | 355 |
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