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101 |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.
CHAPTER ONE
Battle Report
1
The Adriatic was no sailor's sea.
We raced above that water for our lives
Hoping the green curve of Italy
Would take us in. Rank, meaningless fire
That had no other object but our life
Raged in the stunned engine. I acquired
From the scene that flickered like a silent film
New perspective on the days of man.
Now the aviators, primed for flight,
Gave to the blue expanse can after can
Of calibers, armored clothes, all
The rich paraphernalia of our war.
Death in a hungry instant took us in.
He touched me where my lifeblood danced
And said, the cold water is an ample grin
For all your twenty years.
Monotone and flawless, the blue sky
Shows to my watching face this afternoon
The chilled signal of our victory.
Again the lost plane drums home.
2
No violence rode in the glistening chamber.
For the gunner the world was unhinged.
Abstract as a drinker and single
He hunched to his task, the dumb show
Of surgical fighters, while flak, impersonal,
Beat at the floor that he stood on.
The diamond in his eye was fear;
It barely flickered.
From target to target he rode.
The images froze, the flak hardly mattered.
Europe rolled to its murderous knees
Under the sex of guns and cannon.
In an absence of pain he continued,
The oxygen misting his veins like summer.
The bomber's long sleep and the cry of the gunner,
Who knows that the unseen mime in his blood
Will startle to terror,
Years later, when love matters.
3
My pilot dreamed Or death before he died.
That stumbling Texas boy
Crew cold before the end, and told
The bombardier, who told us all.
We worried while we slept.
And when he died, on that dark morning
Over Italy in clouds,
We clapped him into dirt.
We counted it for enmity
That he had fraternized with death.
From hand to hand
We passed in wonderment
The quicksilver of our lives.
4
I turn my rubber face to the blue square
Given me to trace the fighters
As they weave their frost, and see
Within this sky the traffic
Fierce and heavy for the day:
National Cold Storage Company
The National Cold Storage Company contains
More things than you can dream of.
Hard by the Brooklyn Bridge it stands
In a litter of freight cars,
Tugs to one side; the other, the traffic
Of the Long Island Expressway.
I myself have dropped into it in seven years
Midnight tossings, plans for escape, the shakes.
Add this to the national total --
Grant's tomb, the Civil War, Arlington,
The young President dead.
Above the warehouse and beneath the stars
The poets creep on the harp of the Bridge.
But see,
They fall into the National Cold Storage Company
One by one. The wind off the river is too cold,
Or the times too rough, or the Bridge
Is not a harp at all. Or maybe
A monstrous birth inside the warehouse
Must be fed by everything -- ships, poems,
Stars, all the years of our lives.
Riverside Drive
from the Yiddish of Joseph Rolnick
Pulling myself out of bed,
I leave the house.
The blueness caresses me.
The wind pushes my hair.
A whole world of quiet
I fill with my steps
On the sidewalk,
And in the street,
The milkman's horse.
Somewhere, on a higher floor,
Along a dark corridor,
The milkman makes his shining rows.
Running, the papers
Under my arm,
I don't look at numbers.
I know the way
Like the horse.
The sun is already up
On the east side of the city.
Its flames, its grace
Spill, whole canfuls, on the cliffs
Of the Jersey shore.
At 310 Riverside Drive
A man on a low balcony,
Young but with mustache and beard --
His appearance not of here --
Stretches a hand toward
The west and shouts
Something like, See there!
And I stand like him
With my papers raised
Like an offering
To the light.
The two of us
Come for the first time
To this place,
To the red cliffs
Of this morning.
Like a Beach
Even the unlived life within us
Is worth examining.
Maybe it is all we have.
The rest is burned up
Like fuel in the furnace.
But the unlived life
Stretches within us like a beach.
There is a gull's shadow on it.
Or it is at night and the moon
Crusts the sand.
Or it is a house at night
With people talking in the next room
Over cards.
You believe
In these observations?
Doesn't the sea sweep in,
The action begin in the house
At night, the voices of the players
Loud in argument,
Their motives, their needs,
Turbulent as the sea?
Whose happiness
Even here
Is being sacrificed?
Musical Shuttle
Night, expositor of love.
Seeing the sky for the first time
That year, I watched the summer constellations
Hang in air: Scorpio with
Half of heaven in his tail.
Breath, tissue of air, cat's cradle.
I walked the shore
Where cold rocks mourned in water
Like the planets lost in air.
Ocean was a low sound.
The gatekeeper suddenly gone,
Whatever the heart cried
Voice tied to dark sound.
The shuttle went way back then,
Hooking me up to the first song
That ever chimed in my head.
Under a sky gone slick with stars,
The aria tumbling forth:
Bird and star.
However those cadences
Rocked me in the learning years,
However that soft death sang --
Of star become a bird's pulse,
Of the spanned distances
Where the bird's breath eddied forth --
I recovered the lost ground.
The bird's throat
Bare as the sand on which I walked.
Love in his season
Had moved me with that song.
July
You poets of the Late T'ang send me messages
this morning.
The eastern sky is streaked with red.
Linkages of bird song make a floating chain.
In a corner of the world, walled in by ocean
and sky,
I can look back on so many destructive days
and nights,
and forward too, ego demons as far as
mind reaches.
Here, for a moment, the light holds.
Years Ago
Rain is in the air, or
falling so gently
it seems part of the air.
My son glides in, leans
his bike beside the porch,
waiting it out. He objects
to my sieging 'April Showers'
when it's almost August.
I stop singing
and we listen to the quiet.
When the rain stops
he moves off into the sand
beside the house
to build something with a long
story attached, which he tells
himself as he goes along,
handful by handful.
What It Feels Like
The first night out of Eden
or rather the first morning
after the first night out is
what it always feels like.
I can have a bagel and coffee
but only after I arrive at work.
Until then the despair is too great.
It was different when I woke with you
and prayed to the white curve of your back
and cradled it like the ark of the covenant.