Abbreviations | |
List of Plates | |
Preface and Acknowledgments | |
Maps Introduction | |
Diary, August 14-September 20, 1903 | |
Diary, December 6, 1903-January 6, 1904 | |
Diary, January 6 or Afterward-March 9, 1904 | |
Diary, April 1-May 7, 1904 | |
Diary, December 26, 1908-April 4, 1909 | |
Response to In Battle for Art: The Answer to the "Protest of German Artists" | |
"Thoughts on Timely and Untimely Art" | |
Diary, December 20, 1912-April 17, 1913 | |
Statement for Exhibition at Hamburg Kunstverein, Max Beckmann (Gemalde), Walter Geffcken (Gemalde), Jules Pascin (Zeichnungen) | |
"The New Program" | |
Wartime Letters: East Prussia | |
Wartime Letters: Belgium (Courtrai, Roeselare, Ostende) | |
Wartime Letters: Roeselare, Wervicq, Brussels | |
Catalogue Foreword for Exhibition at I. B. Neumann Graphisches Kabinett, Berlin, Max Beckmann Graphik | |
"Creative Credo" | |
Text for Hell Portfolio | |
Contribution to "On the Value of Criticism: An Inquiry of Artists" | |
Ebbi: A Comedy | |
The Hotel: Drama in Four Acts | |
Letter for the Piper Almanach | |
Autobiography | |
"The Social Stance of the Artist by the Black Tightrope Walker" | |
"The Artist in the State" | |
Statement in the Catalogue of the Mannheim Kunsthalle Retrospective | |
Answer to Frankfurter Zeitung Questionnaire about Politics | |
"On My Painting" | |
Speech Given to His First Class in the United States, Washington University, St. Louis | |
"Letters to a Woman Painter" | |
Speech for Friends and Faculty during Commencement Week Activities, Washington University, St. Louis | |
"Can Painting Be Taught? | |
Beckmann's Answer" | |
Table of Monetary Equivalents | |
Notes | |
Index | |
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