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Preface | p. v |
Introduction | p. 3 |
Melody | p. 11 |
Tone and Pitch | p. 13 |
Selection of Tones | p. 16 |
Dynamic Quality | p. 18 |
1 2 3 4 5 | p. 20 |
The Oscilloscope | p. 21 |
The Octave | p. 23 |
The Scale | p. 25 |
Whole and Half Tones | p. 28 |
The Diatonic Order. The Modes | p. 30 |
Minor | p. 34 |
Declaring the Center | p. 36 |
The Making of Melody | p. 38 |
Background and Foreground | p. 40 |
The Center Moves | p. 44 |
Sharps and Flats | p. 48 |
Key and Signature | p. 51 |
Tonality | p. 52 |
Key Relations | p. 56 |
Three Types of Chromatic Tones | p. 60 |
Move of Center Without Chromatic Tones | p. 62 |
Intervals | p. 64 |
Tone and Number | p. 67 |
Acoustics--Greek and Modern | p. 70 |
The Irreconcilables | p. 73 |
Equal Temperament | p. 75 |
Meanings of Intervals | p. 77 |
Texture and Structure | p. 80 |
Arrow and Circle | p. 83 |
A-B-A | p. 85 |
A-B-A-B-A | p. 88 |
Fast-Slow-Fast | p. 90 |
Repetition without Symmetry | p. 92 |
Other Chain Forms | p. 94 |
Circle and Chain Combined | p. 96 |
Meter and Rhythm | p. 98 |
The Beat | p. 99 |
The Bar | p. 104 |
The Forming of Groups | p. 108 |
The Time Wave | p. 114 |
The Interplay of Tone and Time | p. 119 |
Phrase | p. 130 |
Polyphony | p. 137 |
The Second Dimension | p. 139 |
Individuality of Parts | p. 141 |
Infinite Motion | p. 144 |
Haydn's Emperor Quartet, 2nd Movement | p. 147 |
A Lesson in Polyphony | p. 150 |
Consonance and Dissonance | p. 151 |
The Control of the Dissonance | p. 154 |
Consonance without Rest | p. 163 |
J. S. Bach, Two-part Invention, No. 1, in C Major | p. 165 |
Two-part in D Major | p. 168 |
Two-part in F Major | p. 168 |
Two-part in F Minor | p. 169 |
Three-part in C Major | p. 169 |
Three-part in G Minor | p. 170 |
Harmony | p. 171 |
The Chord | p. 173 |
Triads, Seventh Chords, Deviations | p. 179 |
Unfolding of Chords | p. 184 |
Harmonic Degrees | p. 186 |
The Scale of Harmonic Degrees | p. 191 |
The Dominant Chord | p. 195 |
The I ... V-I | p. 200 |
Functional Levels | p. 203 |
Change of Center | p. 205 |
The New Image of Tonality | p. 211 |
Melody and Harmony | p. 218 |
Harmony Interprets Melody | p. 222 |
Non-harmonic Tones | p. 234 |
Epilogue | p. 243 |
Index | p. 247 |
Section of Scores | p. 1 |
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