Acknowledgments | |
Introduction: The Gendered Subject of Shakespearean Tragedy | p. 1 |
History into Tragedy: The Case of Richard III | p. 31 |
A Woman of Letters: Lavinia in Titus Andronicus | p. 54 |
"Documents in Madness": Reading Madness and Gender in Shakespeare's Tragedies and Early Modern Culture | p. 75 |
"Born of Woman": Fantasies of Maternal Power in Macbeth | p. 105 |
"Magic of bounty": Timon of Athens, Jacobean Patronage, and Maternal Power | p. 135 |
Desdemona's Disposition | p. 171 |
"The Moor of Venice," or the Italian on the Renaissance English Stage | p. 193 |
The Heroics of Marriage in Othello and The Duchess of Malfi | p. 210 |
The Fatal Cleopatra | p. 241 |
What's Love Got to Do with It? Reading the Liberal Humanist Romance in Antony and Cleopatra | p. 268 |
Shakespeare in My Time and Place | p. 287 |
Leaving Shakespeare | p. 307 |
Notes on Contributors | p. 317 |
Index | p. 321 |
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