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I can't take my eyes off of it. It's everything I would want to be ... if I were a sign.
Issues Magazine
1026 Madison Avenue
New York, New York 60793
Sigh.
I slowly trace my finger over each perfect word, until I feel alittle shiver on the back of my neck. I'd know this letteringanywhere. It's Coronet, the ultimate in vintage-chic fonts. Thesign reminds me of that time my mom took me to see AudreyHepburn in Funny Face at the Paris Theater when I was seven years old. I didn't really want to go at first. I knew it wasn't acartoon, even though they tried to trick everyone with that name, but I figured, what the hell; I had no other plans and my mom let me bring a pocketbook. I had no idea that I was destined to walk out of that movie theater with the answer to the most puzzling of all life's questions. For the first time in seven years, I knew what I wanted to be when I grew up.
As soon as I got home, I ran upstairs to my room and stood in front of the mirror. It was October of 1982. I was about to turn eight and it was not uncommon for me to polish off an entire box of Sugar Wafers at the drop of a hat. I stood frozen in front of my reflection, evaluating my overall look from an entirely new perspective. The thighs were definitely going to be a problem. The pigtails were all wrong, and I needed to grow at least another fourteen inches. There was no doubt about it; some big changes would have to be made if I, Chloe Rose, was going to make it in the fashion magazinebusiness.
Unfortunately, liposuction was completely out of the question, so I settled for the next best thing -- bangs. Back then, the only scissors I was allowed to keep in my room were toenail clippers, but that didn't stop me. They weren't perfect, but the overall effect was there. Now all I needed was a job.
I hired myself for a part-time position after school and for a few hours on Saturday. My job was complicated, because I had to stay focused in a home-office setting, which involved a million and one interruptions, including: making my bed, studying for spelling tests, and, worst of all, distracting play dates with children my own age. I wasn't able to sit down for a minute. I spent hours clomping around my bedroom in my mom's high heels, arranging papers, pinning up pictures of models on my cork board, answering the phone, reapplying my lipstick and firing imaginary people. There were days when I managed to put in three or four hours of paper arranging and lipstick reapplications without stopping, even once, to put out my cigarette/broken TVantennae.
I always wore the same sleeveless cotton nightgown to work, which was cut like an old woman's housedress, allowing me to sit in almost any position without my underwear showing. No matter how far I spread my legs, it would stay hooked around my knees. It even had darts.
Under my nightgown was my mom's stretchy bra with the built-in shoulder pads, which I generously stuffed with two rolls of toilet paper. I didn't even bother to unroll it. I just put a whole roll in each cup. There was always a family member yelling for toilet paper from the bathroom in our house.
"Oh, Mrs. Stevens," I'd say to no one, "can you please bring my mother, Mrs. Rose, this little handful of toilet paper and then meet me back here in my office to line up these lipsticks again? Oh, and Mrs. Stevens, I just love how you reorganized the magazines on the bookshelf, so I've decided togive you a raise.Yes, that's right, a million dollars. And please remember to tell Mrs. Rose I say hello and that I'm sorry but I won't be able to make my bed today. As it turns out, I had to do some last-minute rescheduling. I now have a much earlier lunch date with Christie Brinkley, and I'm all backed up on my steno."
I could have used a few more employees to round things out, but the only other person I enjoyed playing with was my sister, and she found "magazine office," and "make-believe" in general, to be an embarrassment. I offered her several very high profile secretarial positions and the opportunity to work directly with Mrs. Stevens, but she flatly refused me every time.
It was always the same story with her: cashier or nothing. She was completely inflexible, no matter how many times I told her that the cashier position was already taken. Because of our professional differences and her overall lack of enthusiasm for imaginary games, I was forced to resort to playing with inanimate objects.
I could have easily used my dolls and stuffed animals to fill in for people, but I've always felt that stuffed animals look a little stiff in an office setting. Dolls are even worse. They just sit there like a bunch of babies, ridiculously overdressed, with no personality whatsoever. I can't work with people like that. There's no give and take. So I used my shoes. Shoes make excellent employees. They stand on their own two feet, ready to get to work at a moment's notice. After work, they kick up their heels, have a few laughs, andare ready to do it all over again the very next day. Except for slippers. Slippers always look like they have a cold or they're down on their luck, especially my slippers. I've always had the big, furry kind with matted hair and juice stains all over the front. Whenever I needed someone to play a bum, I usedmy slippers.
Because I worked exclusively with shoes, there was never any question when it came to job casting. Shoes are born stereotypes ...
She's Got Issues. Copyright © by Stephanie Lessing. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.
Excerpted from She's Got Issues by Stephanie Lessing
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