| Preface | p. 11 |
| Lost in the Dust: An Introduction | p. 19 |
| CD Contents | p. 8 |
| eBook Contents | p. 9 |
| Aftermath Poem | p. 23 |
| She Wore Yellow Rubber Gloves to Drive | p. 24 |
| Let Me Show You My Childhood in Colours | p. 24 |
| The Natural History of Errol Flynn's Cock | p. 25 |
| My Son, To Me | p. 27 |
| When I Close My Eyes | p. 27 |
| Switch | p. 29 |
| Butterflies | p. 30 |
| The Laughing Stock | p. 31 |
| The Origins of the Milky Way | p. 32 |
| Poststructuralist Interpretations of the Signs of Self-Starvation or the Linguistic Rationalism of High Culture | p. 34 |
| Herniated Disc | p. 34 |
| June Bug | p. 35 |
| Listening | p. 38 |
| Days That We Couldn't Rehearse | p. 39 |
| The Umbrellas | p. 40 |
| So Clever | p. 41 |
| Announcement | p. 42 |
| Morgan's Bones | p. 42 |
| The War Against Books | p. 43 |
| Space Travel | p. 46 |
| Yashmak (May 2001) | p. 47 |
| Encore | p. 48 |
| At the Softs, The Silks | p. 48 |
| In Particular | p. 50 |
| Zero Star Hotel | p. 53 |
| The Brave Kathleen | p. 54 |
| Two Ways of Regarding Radishes | p. 56 |
| Identical Twins | p. 57 |
| Fragments | p. 58 |
| Swing | p. 59 |
| Est | p. 61 |
| Moth Glitter | p. 61 |
| "Poe Was Right" | p. 62 |
| Sky Without Heroes | p. 64 |
| Open Letter | p. 65 |
| Sudden Blows | p. 66 |
| Ruskin and Millais and Effie and Rose | p. 67 |
| Poetry | p. 68 |
| Chapstick | p. 68 |
| Peter Pan Bus Line | p. 68 |
| Hair | p. 68 |
| Alfred Hitchcock | p. 68 |
| David Lynch | p. 68 |
| Stanley Kubrick | p. 68 |
| Upon Recalling the Filipino Dishes I Do Not Know How to Cook | p. 69 |
| Mr. Chalk | p. 70 |
| Office Upon Earth | p. 71 |
| Notice to the Mayor (Faise Memo I) | p. 71 |
| Warwick Office Machines (False Memo II) | p. 72 |
| Anti-Erotic Poetry Series | p. 72 |
| Lake Amnesia | p. 75 |
| A Deli on First Avenue | p. 76 |
| Descent | p. 77 |
| Skydiving Narcissus | p. 77 |
| The Tattooed Man | p. 78 |
| Flight | p. 79 |
| A Signal | p. 79 |
| Your Sweet and Difficult Narcissism | p. 80 |
| Cyclorama | p. 81 |
| Wow and Flutter | p. 82 |
| Poet of the Day | p. 83 |
| Don't Tell Me | p. 84 |
| Guestipe | p. 85 |
| The Law of Direction | p. 85 |
| Keep Away From Children | p. 86 |
| When You Rub Yr Wet Centre | p. 88 |
| Courage | p. 89 |
| Screwbox | p. 89 |
| Where | p. 89 |
| Cut Me a Line of Poetry | p. 90 |
| Litany for Keeping Safe | p. 92 |
| Time & Cock | p. 93 |
| The Mad Cow of Time | p. 94 |
| From the Safe House | p. 96 |
| Exile's End | p. 97 |
| The New Grey | p. 98 |
| O'Hara | p. 98 |
| In the Biography of Broken Things | p. 99 |
| When the Snow Arrived | p. 100 |
| The Housesitter | p. 101 |
| Essential Oils | p. 102 |
| Arrivals Area | p. 103 |
| Ideal Hollywood Career-Path | p. 105 |
| Encyclopedia Botanica | p. 107 |
| I'm Being Followed by David Beckham | p. 111 |
| Rosary | p. 112 |
| Died for Love | p. 112 |
| Born Under a Rhyming Planet | p. 113 |
| The City | p. 116 |
| The Company of Poets | p. 118 |
| Saint Boy | p. 119 |
| She is Dreamin' That Her Father | p. 120 |
| SMS Me Baby | p. 121 |
| Half a Sonnet | p. 123 |
| Broken Bone Boy | p. 124 |
| The Care Service | p. 125 |
| I Chew My Gum and Think of Rifles | p. 126 |
| Loveloss | p. 127 |
| Midweek Litotes | p. 127 |
| In Defense of Misers | p. 128 |
| Other Davidians | p. 129 |
| You Should Have Killed the Monkey First | p. 129 |
| Spider-Sense | p. 131 |
| Pissing Off Ezra | p. 132 |
| Catlali Drew a Cat on My Computer | p. 133 |
| Sick and Tired | p. 134 |
| Small Meat Doll | p. 135 |
| Sentences or Performances | p. 135 |
| Boyfriend's 27th Birthday | p. 137 |
| This Girl I've Been in a Cab With | p. 139 |
| My Clothes Dealer | p. 140 |
| 5 Minutes with the Communist Manifesto | p. 141 |
| Illegible Woman (Breasts & All) | p. 143 |
| My Life is So Good It's Depressing | p. 145 |
| Clothes Catalogue | p. 146 |
| Sacred Explosions | p. 148 |
| Information Technologies in Anglo-America | p. 149 |
| The Poetic Swordsman | p. 150 |
| Brand the War | p. 151 |
| Why Things Burn | p. 151 |
| You Never Forget Your First | p. 153 |
| The Babysitter | p. 154 |
| The East End Motel | p. 156 |
| Ipanema | p. 158 |
| Pillar | p. 160 |
| Red Biros (The Inspiration of Spilled Milk) | p. 162 |
| Killer Jeans | p. 163 |
| Color/Space/Time | p. 164 |
| Shoes Were Invented When History Became an Ugly Carpet Over the World | p. 167 |
| Asleep at Your Life | p. 169 |
| A Brief History of Those Who Made Their Point Politely And Then Went Home | p. 171 |
| Cunning Linguist | p. 172 |
| Starfucking Closer to Home or What Happens When You Reach for the Stars and They Reach Back | p. 173 |
| Impressions | p. 176 |
| Pisarro's Harmony | p. 176 |
| The Ball | p. 176 |
| April Moon | p. 176 |
| Manet in Venice | p. 176 |
| They Are Off! | p. 176 |
| Occasional Spontaneity | p. 176 |
| Waver | p. 176 |
| Crazy Hollhocks | p. 176 |
| Out of Shoes | p. 177 |
| Duck | p. 177 |
| Just Stand There | p. 177 |
| Hanging the Laundry Out to Dry | p. 177 |
| Lie on Grass | p. 177 |
| Sunset | p. 177 |
| Entrance | p. 177 |
| Generic Love Poem | p. 177 |
| Post-Modern Girl | p. 178 |
| Pilot | p. 179 |
| Alibi | p. 180 |
| Emigrant | p. 180 |
| Six Portraits of the Literary Life | p. 181 |
| The Brief Return of the Girl in the Grey Knit Skivvy | p. 182 |
| How Do Detectives Make Love? | p. 184 |
| Sheep Run | p. 186 |
| Home Coming | p. 187 |
| The Pointlessness of Poetry | p. 189 |
| Television | p. 189 |
| Guilt | p. 190 |
| Tryst and Isobel | p. 191 |
| Velocity | p. 193 |
| The Cupboard | p. 194 |
| The Hill-Track | p. 195 |
| Reykjavik the City of Seasons | p. 196 |
| Chemical Mood | p. 197 |
| Who Made It? | p. 198 |
| In the Empire of Grief. II | p. 200 |
| Resurrection Fresco: Scene I | p. 203 |
| Wait Late | p. 204 |
| Scream | p. 205 |
| The Tale of the Horse-Leech | p. 207 |
| Three Prayers | p. 210 |
| Vision--The Conqueror | p. 212 |
| Forward--The Determinant | p. 213 |
| Pulsar | p. 214 |
| 3 Studies of a Rotary Hoist | p. 215 |
| London | p. 216 |
| When the Sky Fell | p. 218 |
| Chimney Fish | p. 219 |
| Amazed by Clouds | p. 220 |
| Melbourne's Most Maladjusted Pigeon | p. 220 |
| Legend | p. 222 |
| A Pyramid of Glasses | p. 222 |
| Walk That Thing | p. 223 |
| Scissors in a Cross | p. 223 |
| The Emperor's Small Change | p. 224 |
| The Waiter | p. 225 |
| The Bone Drum | p. 225 |
| Overcast | p. 226 |
| Newscaster | p. 227 |
| Stand-up Comic | p. 228 |
| Not Myself | p. 228 |
| Other People | p. 229 |
| Our Lady With a Dragnet | p. 231 |
| Orthodoxy | p. 232 |
| When I Was in Paris | p. 232 |
| Shoe | p. 233 |
| Sniper on Leave | p. 234 |
| Crow | p. 234 |
| Renovating the Womb | p. 235 |
| When I Haven't Been Kissed | p. 235 |
| The Jeffrey McDaniel Show | p. 236 |
| The Passion Tree | p. 237 |
| The Biology of Numbers | p. 237 |
| For Meriwether Lewis (1774-1809) | p. 238 |
| English 318: Walt Whitman and Emily Dickinson (6 Credits) | p. 241 |
| Rocket to Resurrection | p. 242 |
| Sonnet in C-Legs | p. 243 |
| The End of the World (September 2001) | p. 244 |
| Clockman | p. 246 |
| Out of My Skin | p. 246 |
| Chivalry is Not Dead | p. 247 |
| Wednesday Afternoon | p. 248 |
| Spoon | p. 248 |
| With All Our Souvenirs | p. 249 |
| The Fox in the National Museum of Wales | p. 250 |
| Words Ploughed into Shares | p. 252 |
| Bamboo | p. 254 |
| Two Temperatures for Snow | p. 255 |
| Albert Einstein in America | p. 256 |
| Moonlighter | p. 257 |
| Quoting Yourself | p. 257 |
| Description | p. 258 |
| Without Need for Sleep or Reason | p. 258 |
| Recreation | p. 259 |
| Line 4 | p. 260 |
| Sounds Like | p. 260 |
| Song: Habeas Corpus | p. 260 |
| Aubade | p. 262 |
| Lavoisin and Lavigoreux | p. 263 |
| Now 50% More Half Baked! | p. 264 |
| Letter to Andy Kaufman | p. 265 |
| Letter to Jewel | p. 265 |
| Driving to Vegas Along Main Street | p. 266 |
| My Love | p. 268 |
| I've Never Dated a Woman Who Wore High Heels | p. 269 |
| Baby Snot on My Shirt at Fresh Fields | p. 270 |
| A Short History of Risk | p. 270 |
| Be-Bop | p. 271 |
| Brother Lo and the Maxims | p. 272 |
| StrangePlastikRobot | p. 273 |
| The Campaign Against Real Poetry | p. 274 |
| Poetry is the New Coarse Angling | p. 276 |
| Naming the Pleasures | p. 277 |
| The Lesson | p. 278 |
| Talkbackradio | p. 279 |
| Hot Date | p. 281 |
| Volcano Vertigo | p. 284 |
| Last Night Betty | p. 286 |
| Ken | p. 287 |
| Ma Sonic! | p. 288 |
| How to Swallow a Pig | p. 289 |
| The Non-Violent Boxer | p. 290 |
| Hip Hop Hollas | p. 291 |
| On Being Blackpool | p. 295 |
| Twenty-Seven Stares | p. 297 |
| Split a Bottle | p. 298 |
| Happy Hoover | p. 299 |
| Corruption | p. 300 |
| Pink | p. 301 |
| A Love Supreme | p. 301 |
| Fireflies in a Jar | p. 303 |
| Statistic | p. 306 |
| Flag on a Stick | p. 307 |
| After The Refit of the Clifton Street Spar | p. 309 |
| The New History Syllabus | p. 311 |
| Nineteen | p. 313 |
| Sound Off | p. 315 |
| Desert Super Lotto | p. 316 |
| Martyrs and Men | p. 320 |
| Root 2 Fruit | p. 321 |
| Ice Cream Bars | p. 323 |
| To Have Conceived | p. 324 |
| Text Formerly Know as a Poem | p. 325 |
| To the Woman, Quite Obviously Not Trying to Fly, Who Fell With Her Legs Closed, Arms Pressed Against the Front of Her Body, While Primly Clutching Her Purse | p. 331 |
| Bitch | p. 335 |
| Opportunity | p. 336 |
| Magic Tape | p. 336 |
| Letting You Down Gently | p. 337 |
| Good I Can Be | p. 338 |
| Penguins Ad Infinito | p. 338 |
| Universal Masturbation | p. 338 |
| Lorena | p. 339 |
| July 21 | p. 340 |
| Letters in Your Absence | p. 342 |
| Our Lady of the Unauthorized Biography | p. 343 |
| Couplets | p. 345 |
| Sheer Speculation | p. 346 |
| In My Father's Briefcase | p. 347 |
| Noir | p. 348 |
| Third Decade | p. 348 |
| "The Seine Today Was Restless" | p. 350 |
| Nobility | p. 351 |
| Maria C. Dies From a Lack of Imagination | p. 352 |
| 7 AD: Royal's Love Poem | p. 352 |
| Wedding Vow | p. 353 |
| Ceilings | p. 353 |
| Incompatible | p. 354 |
| That's How Bees See | p. 355 |
| Plate Tectonics | p. 356 |
| What to Say When Criticising Poetry | p. 357 |
| Business Lunch | p. 358 |
| Damning with High Praise | p. 359 |
| The Drive (Home) | p. 359 |
| Do You Have Something a Little Less Totalitarian? | p. 363 |
| Peesacho | p. 364 |
| The Gilded Rat | p. 365 |
| Untitled Haibun | p. 366 |
| Midnight's Boxer | p. 367 |
| Strictly Ballroom | p. 368 |
| Dogs Eating Fantales in the Foyer of the Plaza Hotel, New York | p. 369 |
| Donkeys and Antelopes | p. 371 |
| (Confessional) | p. 372 |
| Net Escape | p. 373 |
| Nutri-Stein | p. 374 |
| High School Diary Entry #1 | p. 374 |
| On the Collection of Ethnic Memorabilia | p. 375 |
| In Search of an American Language (Or, After Being Accused of "Coding") | p. 376 |
| Seeing Elle MacPherson | p. 377 |
| Shallow | p. 379 |
| Anthem for My Daughter | p. 380 |
| Notes on the Poets | p. 383 |
| Permissions & Acknowledgements | p. 400 |
| CD Contents | |
| Peesacho (2.02) | |
| Ideal Hollywood Career-Path (2.45) | |
| Atta Poem (3.13) | |
| The Venus Hottentot (2.32) | |
| The Stones in Their Array (1.35) | |
| Control Freak (3.07) | |
| On the Analyst's Couch (1.13) | |
| Viagra (2.15) | |
| She Never Called Me Back (2.05) | |
| Love (1.25) | |
| Shoes Were Invented When History ... (2.51) | |
| Johnny Cake Hollow (1.04) | |
| Baby Snot on My Shirt at Fresh Fields (0.21) | |
| Sitcom For A Ghost Writer (0.31) | |
| Don't Build Your House on the Beat (4.52) | |
| Be-Bop (0.25) | |
| Flight (1.11) | |
| Everything I Know About Aphids (2.50) | |
| What are you going to do with your life? (1.34) | |
| In the Future (1.51) | |
| Century's End (0.53) | |
| Osama bin Laden (2.20) | |
| MAR (4.10) | |
| Old Elvis Clips (0.51) | |
| She (1.47) | |
| Matt Plays a Girl (2.23) | |
| Vegas (4.12) | |
| A Deli on First Avenue (2.15) | |
| Asleep at Your Life (3.04) | |
| Skydiving Narcissus (0.49) | |
| Where is This Place? (5.12) | |
| The Company of Poets (3.11) | |
| Almost That Fable (1.15) | |
| Crow (3.44) | |
| eBook Contents | |
| Armistic | |
| A Rugby Team Lost in the Andes | |
| Remembering 2 Boys | |
| Shit | |
| Upon Recalling The Filipino Dishes ... | |
| Resume II | |
| The Key | |
| Vessel | |
| The Swear Box | |
| After | |
| "Tug Dumbly Is A Catholic Blowjob" | |
| Like Decoration | |
| Let Me Be | |
| Doof | |
| What is this place | |
| At the Wall | |
| Beauty is Dating the Beast | |
| Emily Dickinson Term Paper | |
| Karmadeddon | |
| "My trip to toronto staying at my parents' place" | |
| Like the Path | |
| Over the line | |
| Hand Carved Idol from Minsk | |
| Special Effects | |
| The Waterfall Frogs | |
| Single White Male Fridge | |
| A Tune | |
| About Your Poem ... | |
| Salt Lake City | |
| Arsonist | |
| The Foxhole Diaries | |
| Seven Haiku For Spontaneous Human Combustion | |
| 21st Key | |
| My Ass is Burning | |
| Don't Build Your House on the Beat | |
| Goldfish Poem | |
| Thigging | |
| Bone-head battle ... | |
| The Republic | |
| Wedding Poem | |
| Blair Apparent | |
| Thursday Poem | |
| Death by Heat | |
| Teratophobia ... | |
| Seven Eights Are Fifty-six | |
| Blocking signals to the heart | |
| Scarlet | |
| Color-Blood-Love | |
| The thousand-yard stare | |
| Gameshow Cowgirl | |
| Table of Contents provided by Ingram. All Rights Reserved. |
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The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.