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9780321077042

Simply Shakespeare

by
  • ISBN13:

    9780321077042

  • ISBN10:

    0321077040

  • Edition: 1st
  • Format: Paperback
  • Copyright: 2001-06-27
  • Publisher: Pearson

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Summary

Written in a straightforward, engaging style,Simply Shakespeareactively engages the reader in understanding and appreciating Shakespeare's language and intricate stagecraft.Accessible writing style neither talks down to readers nor over their heads. Introduction: "How to Read Shakespeare" outlines strategies readers can adopt to make Shakespeare easier to understand. Four chapters on language focus on the single greatest hurdle for readers: language. The chapters deal with words, imagery (literal and figurative), rhetoric, and humor. Boxed material highlights major points in any topic discussed. Test Cases analyze key passages in depth. Bulleted lists break up heavy prose passages allowing readers to concentrate on key material, making content more accessible. A Resources Section provides an annotated list of websites and books-emphasizing the best resources and latest scholarship. Glossary covers 30 Shakespearean terms most readers have trouble with.For those interested in gaining a clear understanding of Shakespeare and his art.

Table of Contents

Illustrations
xii
Preface xiii
Introduction: How to Read Shakespeare 1(1)
Chapter Overview
1(1)
Making an Effort
2(4)
Using Your Imagination
6(4)
Imagining the World
6(1)
Imagining the Stage
7(3)
Staying Flexible
10(3)
Listening for the Subtext
13(6)
Writing or Discussion Assignments
18(1)
Further Reading
18(1)
Part 1 Language 19(94)
Shakespeare's Dramatic Language
20(26)
Chapter Overview
20(1)
Some Preliminary Suggestions
21(2)
Test Case #1: Hamlet's Famous Soliloquy
23(4)
Initial! Reactions
24(2)
Summary
26(1)
Shakespeare's Peculiar Language
27(6)
``You'' and ``Thou''
27(2)
``Hath'' and ``Doth''
29(1)
Some Other Shakespearean Oddities
30(2)
Advice
32(1)
Rearranging Word Order
33(6)
Advice
39(1)
Verse and Prose
39(7)
Writing or Discussion Assignments
44(1)
Further Reading
45(1)
Shakespeare's Imagery
46(20)
Chapter Overview
46(1)
A Definition of Imagery
46(1)
Literal Appeals to the Senses
47(1)
Appeal to the Sense of Sight
47(1)
Appeal to the Sense of Hearing
47(1)
Appeal to the Sense of Touch
48(1)
Appeal to the Sense of Taste
48(1)
Appeal to the Sense of Smell
48(1)
Figurative Language
48(1)
Figurative Language 14 Key Terms
48(14)
Analogy
48(1)
Hyperbole
49(1)
Image Strands
50(1)
Irony
50(2)
Litotes
52(1)
Metaphor
53(1)
Metonymy
54(1)
Onomatopoeia
55(1)
Oxymoron
55(1)
Personification
56(1)
Pun
56(2)
Simile
58(1)
Symbol
59(2)
Synecdoche
61(1)
Test Case #2: The Barge at Cydnus
62(4)
Advice
64(1)
Writing or Discussion Assignments
64(1)
Further Reading
65(1)
Shakespeare's Rhetoric
66(24)
Chapter Overview
66(1)
The History of Rhetoric
66(2)
Shakespeare's Dramatic Rhetoric
68(1)
Rhetoric 17 Key Terms
68(15)
Adage
69(1)
Alliteration
69(1)
Anaphora
69(2)
Antistrophe
71(1)
Aside
71(1)
Assonance
72(1)
Caesura
72(1)
Chiasmus
73(1)
Consonance
74(1)
Enargia
74(1)
Ethos
75(1)
Isocolon
76(1)
Logos
77(1)
Pathos
77(2)
Rhyme
79(2)
Soliloquy
81(1)
Stichomythia
82(1)
Pattern, Repetition, Variation
83(4)
Pattern
83(1)
Repetition
84(2)
Variation
86(1)
Test Case #3: Portia's Defense of Antonio
87(3)
Writing or Discussion Assignments
89(1)
Further Reading
89(1)
Shakespeare's Humor
90(23)
Chapter Overview
90(1)
Shakespeare's Crude Humor
91(1)
Shakespeare's Cultural Humor
92(6)
Shakespeare and All Those French Jokes
92(4)
Shakespeare and All Those British Jokes
96(2)
Shakespeare's Linguistic Humor
98(3)
The Malapropism
99(2)
Shakespeare's Slapstick Humor
101(4)
Shakespeare's Cosmic Humor
105(8)
Writing or Discussion Assignments
111(1)
Further Reading
111(2)
Part 2 Staging 113(100)
Shakespeare's Genres
114(36)
Chapter Overview
114(1)
Genre and the Folio of 1623
115(4)
Genre and the Modern Critic
119(1)
The Major Genres
119(28)
Comedy
119(7)
History
126(8)
Tragedy
134(8)
Romance
142(5)
The Minor Genres
147(3)
Problem Play
147(1)
Roman Play
148(1)
Writing or Discussion Assignments
148(1)
Further Reading
148(2)
Shakespeare's Stagecraft
150(35)
Chapter Overview
150(1)
Getting up to Speed
151(2)
Handling the Introductions
153(2)
Comings and Goings
155(3)
Placing Yourself in the Action
158(2)
Making Lemonade (from Lemons)
160(4)
Battle Scenes
160(3)
Boys as Women
163(1)
Taking Advantage
164(5)
The Power of Symbolism
165(2)
Hamlet and the Hell beneath the Stage
167(1)
Props and the Value of Minimalism
168(1)
Threading the Needle
169(2)
Varying the Tempo
171(2)
Easing up on the Rack
173(2)
The Porter in Macbeth (2.3)
173(1)
The Clown in Antony and Cleopatra (5.2)
174(1)
Painting in Chiaroscuro
175(2)
The Gravediggers in Hamlet (5.4)
175(1)
The Gardener in Richard II
176(1)
Shakespeare's Stagecraft 11 Major Devices
177(1)
Internalizing the Playwright
177(8)
``All the World's a Stage''
178(1)
``The Play's the Thing''
179(2)
The Playwright Front and Center
181(2)
Writing or Discussion Assignments
183(1)
Further Reading
184(1)
Shakespeare in Performance: Stage and Screen
185(28)
Chapter Overview
185(1)
Stage, Film, and Television: Some Preliminary Definitions
186(1)
Theatre, Film, and TV Some Important Distinctions
186(1)
Theatre, Film, and TV Some Important Continuities
187(1)
Shakespeare on Stage: Antony and Cleopatra
187(6)
Analysis
191(2)
Shakespeare on Stage: King Lear
193(5)
Discussion Questions on Character
195(2)
Discussion Questions on Staging
197(1)
Discussion Questions on Acting
198(1)
Shakespeare on Film: Hamlet
198(1)
Key Terms Used in the Discussion of Hamlet
199(11)
The Olivier Version (1948)
199(3)
The Richardson/Williamson Version (1969)
202(2)
The Bennett/Jacobi Version (1980)
204(2)
The Zeffirelli/Gibson Version (1990)
206(2)
The Branagh Version (4996)
208(2)
Hamlet on Film: Some Final Thoughts
210(3)
Writing or Discussion Assignments
211(1)
Further Reading
212(1)
Notes
212(1)
Appendix Shakespeare Resources: Websites, Books, and Journals 213(10)
Websites
213(2)
Books
215(6)
Journals
221(2)
Works Cited 223(4)
Photo Credits 227(2)
Index 229

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