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Acknowledgments | |
Introduction | |
Sleazy Histories | |
Pandering to the "Goon Trade": Framing the Sexploitation Audience through Advertising | |
Women's Cinema as Counterphobic Cinema: Doris Wishman as the Last Auteur | |
Representing (Repressed) Homosexuality in the Pre-Stonewall Hollywood Homo-Military Film | |
Pornography and Documentary: Narrating the Alibi | |
El signo de la muerte and the Birth of a Genre: Origins and Anatomy of the Aztec Horror Film | |
Art House or House of Exorcism? The Changing Distribution and Reception Contexts of Mario Bava's Lisa and the Devil | |
Sleazy Afterlives | |
Troubling Synthesis: The Horrific Sights and Incompatible Sounds of Video Nasties | |
The Sleazy Pedigree of Todd Haynes | |
Para-Paracinema: The Friday the 13th | |
Film Series as Other to Trash and Legitimate Film Cultures | |
Boredom, Spasmo, and the Italian System | |
Pure Quidditas or Geek Chic? Cultism as Discernment | |
Movies: A Century of Failure | |
Selected Bibliography | |
Contributors | |
Index | |
Table of Contents provided by Publisher. All Rights Reserved. |
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