List of Illustrations | p. ix |
Acknowledgments | p. xiii |
Introduction | p. 1 |
Jazz Culture and All-Girl Films | |
The Feminization of Mass Culture and the Novelty of All-Girl Bands | p. 19 |
The Ingenues and the Harlem Playgirls | p. 34 |
All-Girl Bands and Sound Films in the Swing Era | |
Phil Spitalny's Musical Queens | p. 67 |
The "Blonde Bombshell of Swing": Ina Ray Hutton and Her Melodears | p. 86 |
Soundies and Features during the 1940s | |
Swinging the Classics: Hazel Scott and Hollywood's Musical-Racial Matrix | p. 113 |
Pinups, Patriotism, and Feminized Genres | p. 134 |
Swing-Centered Films and the Hour of Charm | p. 168 |
The International Sweethearts of Rhythm and Independent Black Sound Film | p. 180 |
Variety Television and the 1950s | |
Television, Vaudeo, and Female Musical Hosts | p. 201 |
Variety Television Revives All-Girl Bands | p. 211 |
Television's Musical Variety Guests: Hazel Scott, Peggy Lee, and Lena Horne | p. 221 |
Conclusion: The Jazz Canon (Representations and Gendered Absences) | p. 245 |
Filmography | p. 259 |
Notes | p. 265 |
Bibliography | p. 275 |
Index | p. 299 |
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