A Song for Europe: Popular Music and Politics in the Eurovision Song Contest

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  • Edition: 1st
  • Format: Nonspecific Binding
  • Copyright: 2007-07-28
  • Publisher: Routledge

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The world's largest and longest-running song competition, the Eurovision Song Contest is a significant and extremely popular media event throughout the continent and abroad. The contest is broadcast live in over 30 countries with over 100 million viewers annually. Established in 1956 as a televised spectacle to unify postwar Western Europe through music, the contest features singers who represent a participating nation with a new popular song. Viewers vote by phone for their favourite performance, though they cannot vote for their own country's entry. This process alone reveals much about national identities and identifications, as voting patterns expose deep-seated alliances and animosities among participating countries. Here, an international group of scholars from a variety of disciplines, including musicology, communications, history, sociology, English and German studies, explore how the contest sheds light on issues of European politics, national and European identity, race, gender and sexuality, and the aesthetics of camp. For some countries, participation in Eurovision has been simultaneously an assertion of modernity and a claim to membership in Europe and the West. Eurovision is sometimes regarded as a low-brow camp spectacle of little aesthetic or intellectual value. The essays in this collection often contradict this assumption, demonstrating that the contest has actually been a significant force and forecaster for social, cultural and political transformations in postwar Europe.

Table of Contents

Camping on the borders of Europe
Return to ethnicity: the cultural significance of musical change in the Eurovision Song Contest
Eurovision at 50: post-wall and post stonewall
Chanson, canzone, Schlager, and song: Switzerland's identity struggle in the Eurovision Song Contest
Chasing the 'magic formula' for success: Ralph Siegel and the Grand Prix Eurovision de la Chanson
Fernando, Filippo, and Milly: bringing blackness to the Eurovision stage
Finland, zero points: nationality, failure, and shame in the Finnish media
The socialist star: Yugoslavia, Cold War politics and the Eurovision Song Contest
Lithuanian contests and European dreams
Russian body and soul: t.A.T.u. performs at Eurovision 2003
Gay brotherhood: Israeli gay men and the Eurovision Song Contest
Articulating the historical moment: Turkey, Europe, and Eurovision 2003
'Everyway that I can': auto-orientalism at Eurovision 2003
Idol thoughts: nationalism in the pan-Arab vocal competition superstar
'Changing Japan, unchanging Japan': shifting visions of the red and white Song Contest
Table of Contents provided by Publisher. All Rights Reserved.

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