Sound, Music, Affect Theorizing Sonic Experience

by Thompson, Marie; Biddle, Ian

• ISBN13: 9781441114679
• ISBN10: 144111467X
• Edition: 1st
• Format: Paperback
• Copyright: 2013-02-28
• Publisher: Bloomsbury Academic

Summary

Sound, Music, Affect features brand new essays that bring together the burgeoning developments in sound studies and affect studies.

The first section sets out key methodological and theoretical concerns, focussing on the relationships between affective models and sound. The second section deals with particular musical case studies, exploring how reference to affect theory might change or reshape some of the ways we are able to make sense of musical materials. The third section examines the politics and practice of sonic disruption: from the notion of noise as 'prophecy', to the appropriation of 'bad vibes' for pleasurable aesthetic and affective experiences. And the final section engages with some of the ways in which affect can help us understand the politics of chill, relaxation and intimacy as sonic encounters.

The result is a rich and multifaceted consideration of sound, music and the affective, from scholars with backgrounds in cultural theory, history, literary studies, media studies, architecture, philosophy and musicology.

Author Biography

Ian Biddle is senior lecturer and Head of Postgraduate Studies in Music at Newcastle University, UK. He is co-founder and co-ordinating editor (with Richard Middleton) of the journalRadical Musicologyand the author ofMusic, Masculinity and the Claims of History(Ashgate, 2011).Marie Thompson is a PhD candidate at Newcastle University, UK, based jointly in ICMUS and Culture Lab. Her research interests lie primarily with avant-garde and experimental musics. She regularly performs solo as Tragic Cabaret, in the duo Ghostly Porters, and as part of Newcastle's audiovisual collective, Kira Kira.

Table of Contents

Introduction SECTION 1. AFFECTIVE (RE)THINKINGChapter 1: The semblance of affect: rehabilitating Susanne Langer's Symbolic Vitalism in the 'dark' of background music eldritch PriestChapter 2: Mother earthquake and the acoustic mirrorPatricia Ticineto CloughChapter 3: The ideology of ImmanenceWill ScrimshawSECTION 2. MUSIC AND THE ORGANIZATION OF FEELINGChapter 4: So transported: Truth, ritual and event in the music of Nina SimoneRichard ElliottChapter 5: (I can't get no) affectJohn MowittChapter 6: Rethinking the intimacy of voice and ear: Intimacy, affect and pleasure in the discourse of hysteriaClara LathamSECTION 3. AFFECTS OF TURBULENCEChapter 7: Uneasy ListeningMarie ThompsonChapter 8: Sonic Alchemy: Music as prophecy and Affective ContagionDean LockwoodChapter 9: Instilling Fear - Receiving NoisePaul HegartySECTION 4. PALLIATIVE AFFECTChapter 10: Music for sleepingAnahid KassabianChapter 11: Relax, feel good, chill out: marketing classical music for affectFreya Jarman-IvensChapter 12: Quiet sounds and intimate listening: the politics of tiny seductionsIan Biddle BibliographyIndex