The Sound of Painting | p. 7 |
Runge's Vision of a Synthesis of Art and Music | p. 10 |
Wagner and Synesthesia | p. 12 |
Musical Imagery: Gauguin and Matisse | p. 19 |
The Painter-Composer Ciurlionis | p. 24 |
Kandinsky and Schoenberg | p. 30 |
Harmony and Dissonance | p. 38 |
"Forms of Time" in Painting | p. 43 |
The Chromatics of Light and the Rhythm of the Cosmos | p. 46 |
From Sequential Image to Film Sequence | p. 54 |
Infusing the Pictorial Space with Musicality and Dynamics | p. 60 |
Noise Sculpture and Pictorial Choreography | p. 68 |
Synesthetic Investigations of the Russian Vanguard | p. 78 |
Music in Colored Light and Harmonia Mundi | p. 83 |
Dance Analogies and "Absolute Rhythm" | p. 94 |
The Serial Principle and Transformed Material | p. 102 |
The Intermedia Synthesis | p. 110 |
Graphic Music | p. 114 |
Plastic Sound | p. 121 |
Notes | p. 126 |
Index | p. 127 |
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