Acknowledgments | |
Introduction / Interviews: The New Metadrama | p. 1 |
Broadway Realism: The American Theatre, 1945 to 1959 | p. 7 |
Robert Anderson | p. 13 |
Jerome Lawrence and Robert E. Lee | p. 31 |
Arthur Miller | p. 40 |
Neil Simon | p. 58 |
Anxiety and Alienation: The American Theatre, 1959 to 1969 | p. 83 |
Edward Albee | p. 89 |
Maria Irene Fornes | p. 98 |
Jack Gelber | p. 115 |
Adrienne Kennedy | p. 125 |
Megan Terry | p. 138 |
Jean-Claude Van Itallie | p. 150 |
Recovery and Regeneration: The American Theatre of the 1970s | p. 161 |
Charles Gordone | p. 167 |
David Mamet | p. 176 |
Albert Innaurato | p. 185 |
Romulus Linney | p. 193 |
Emily Mann | p. 205 |
Ntozake Shange | p. 216 |
Celebrating Difference: The American Theatre since 1980 | p. 231 |
Kenneth Bernard | p. 239 |
Beth Henley | p. 250 |
Tina Howe | p. 260 |
David Henry Hwang | p. 277 |
Tony Kushner | p. 291 |
Karen Malpede | p. 314 |
Terrence McNally | p. 332 |
Mark Medoff | p. 346 |
Joan Schenkar | p. 365 |
Wendy Wasserstein | p. 379 |
Contributors | p. 393 |
Index | p. 399 |
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