The Spectacle of History

by Lynch, Michael; Bogen, David

• ISBN13: 9780822317296
• ISBN10: 082231729X
• Format: Hardcover
• Copyright: 1996-05-01
• Publisher: Duke Univ Pr

Summary

How is history produced? How do individuals write-or rewrite-their parts while engaged in the production of history? Michael Lynch and David Bogen take the example of the Iran-contra hearings to explore these questions. These hearings, held in 1987 by the Joint House-Senate Select Committee on Secret Military Assistance to Iran and the Nicaragua Opposition, provided the nation with a media spectacle and a rare chance to see a struggle over the writing of history. There was Oliver North, prime suspect and designated scapegoat, turning into a hero of the American Right before the very eyes of the nation. How this transformation occurred, with the complicity of the press and the public, becomes disturbingly clear inThe Spectacle of History. Lynch and Bogen detail the practices through which the historical agents at the center of the hearings composed, confirmed, used, erased, and denied the historical record. They show how partisan skirmishes over the disclosure of records and testimony led to a divided and irresolute outcome, an outcome further facilitated by the "applied deconstruction" deployed by North and his allies.The Spectacle of Historyimmerses the reader in a crowded field of texts, utterances, visual displays, and media commentaries, but, more than a case study, it develops unique insight into problems at the heart of society and social theory-lying and credibility, the production of civic spectacle, the relationship between testimony and history, the uses of memory, and the interplay between speech and writing. Drawing on themes from sociology, literary theory, and ethnomethodology and challenging prevailing concepts held by contemporary communication and cultural studies, Lynch and Bogen extract valuable theoretical lessons from this specific and troubling historical episode.

Table of Contents

Preface
Transcription Conventions
Introduction	p. 1
The Sincere Liar	p. 21
The Production of History	p. 57
The Ceremonial of Truth	p. 89
The Truth-Finding Engine	p. 122
Stories and Master Narratives	p. 154
Memory in Testimony	p. 178
The Documentary Method of Interrogation	p. 201
Conclusion: A Civics Lesson in the Logic of Sleaze	p. 236
Methodological Appendix: Postanalytic Ethnomethodology	p. 262
Notes	p. 289
Index	p. 337
Table of Contents provided by Blackwell. All Rights Reserved.