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9780240514765

Stage Lighting Controls

by
  • ISBN13:

    9780240514765

  • ISBN10:

    0240514769

  • Format: Paperback
  • Copyright: 1997-11-01
  • Publisher: Focal Pr
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List Price: $49.95

Summary

Stage Lighting Controls gives the reader an historical overview of the way in which modern control systems have evolved, and then explains the general principles of modern computerised lighting consoles and relevant control standards such as DMX512, MIDI and Ethernet. It also covers the basic aspects of controlling moving lights and scrollers and provides a product profile for ten major manufacturers of lighting controls. Written in accessible language, the book is ideal for both novices and practising lighting designers who need to get updated on current practices and equipment. It is also relevant for stage managers, electricians, technicians and any other production staff who are involved in situations where lights are controlled. Cuts through the complexity of modern equipment Helps operators to move from system to system more easily Written by an experienced trainer

Table of Contents

Preface xi(4)
Acknowledgements xv(4)
Introduction to the basic elements of lighting control xix
Part 1--Background and Basics 1(64)
Introduction 1(2)
1 The evolution of lighting control
3(31)
Why bother with history?
3(1)
Sunlight and fire
3(1)
Candlelight
3(1)
Gaslight
4(1)
Electric light
5(1)
Resistance dimming
5(1)
Liquid resistance dimmers
5(1)
First single-scene boards with groups
6(1)
Wirewound resistance dimmers
7(1)
Early lighting companies
8(1)
Mechanical auto-transformer dimmers
8(1)
Electromechanical remote control
9(2)
First all-electric dimmers
11(1)
The last action principle
11(1)
Multi-scene presetting
11(1)
Load patching
12(1)
Group fading
13(1)
The solid state dimmer -- a landmark!
14(1)
Memory in lighting controls
15(1)
The first `true' memory board -- a landmark!
15(3)
Why memory boards?
18(1)
Computers and lighting controls
19(1)
The first computer board on Broadway
20(1)
The industry expands
21(1)
Microprocessors and touring consoles
21(1)
Two control `philosophies' so far
22(1)
A third philosophy -- tracking consoles
23(4)
Memory boards for concert lighting
27(1)
Memory controls all the way...
27(2)
DMX512 -- a communications landmark!
29(1)
Moving lights and scrollers
29(1)
Moving functions in consoles
30(2)
Ethernet and networking
32(1)
Where are we now?
33(1)
2 What kinds of lighting consoles are there?
34(20)
The playing factor of a console
34(1)
The playback capacity of a console
34(1)
The concept of manual desks
35(6)
The concept of `live' consoles
41(1)
The concept of theatre `playback' consoles
42(5)
The concept of moving light consoles
47(7)
3 What does a lighting console consist of?
54(5)
Hardware and software
54(1)
Channels
55(1)
Soft patch
55(1)
Submasters
55(1)
Cue playbacks
55(1)
Grand Master
56(1)
Blackout key
56(1)
Function keys
57(1)
Visual feedback -- monitors and displays
57(1)
Outputs and inputs
57(2)
4 How to functions interact in a console?
59(6)
Highest takes precedence (HTP)
59(2)
Latest takes precedence (LTP)
61(2)
Channel control
63(1)
Summary
64(1)
Part 2--General Console Features 65(54)
Introduction 65(2)
5 Patching
67(5)
Load patching
67(1)
Control patching
67(1)
Soft and proportional patching
68(2)
Channel numbering confusion
70(2)
6 Channels
72(10)
General
72(1)
`Theatre style' channel keypad
72(8)
Groups
80(2)
7 Submasters
82(4)
Additive or inhibitive
83(1)
Submaster faders
83(1)
Flashing a submaster -- bump keys
83(1)
Submaster pages
84(2)
8 Cue playbacks
86(24)
What can a cue consist of?
87(1)
The order in which cues can be stored
87(4)
Cue fade times
91(7)
What is a cue playback?
98(1)
Preset-oriented playbacks
98(4)
Group fading playbacks
102(3)
Tracking playbacks
105(5)
9 Effects
110(3)
Direction of an effect
110(1)
Additive or subtractive
111(1)
Transitions between steps
111(1)
Transitions between effects
111(1)
Sound control of an effect
112(1)
Rate control of an effect
112(1)
10 Macro functions
113(2)
Macros for programming
113(1)
Controlling moving lights (Avolites)
114(1)
Macros for playback
114(1)
11 Storing and printing shows
115(4)
Floppy diskette drive
115(1)
Hard disk drive (HDD)
116(1)
Memory card
116(1)
Compatibility between consoles
116(1)
Printing a show
117(2)
Part 3 Console Features for Specific Lighting Devices 119(32)
Introduction 119(2)
12 Dimmers
121(10)
DMX address
121(1)
Different response curves
122(6)
Dimmer monitoring systems
128(3)
13 Scrollers
131(7)
Controlling a scroller
131(1)
Attributes
131(1)
Colour attributes
132(1)
Fan attributes
133(1)
Speed attributes
134(1)
Scrollers in submasters
134(1)
Scrollers in cue playbacks
135(1)
Rigging scrollers
135(1)
Designing with scrollers
136(2)
14 Moving lights
138(13)
Moving yokes
138(1)
Moving mirrors
138(3)
Controlling a moving light
141(5)
Moving light functions in consoles
146(2)
Rigging moving lights
148(1)
Conclusion
148(3)
Part 4--Communication 151(40)
Introduction 151(2)
15 Communication standards (in the lighting industry)
153(6)
Who defines a standard?
153(1)
Borrowed standards
154(1)
What does a specification consist of?
154(1)
Electrical and physical characteristics
154(1)
Open or closed loop
155(1)
Summary
155(4)
16 Analogue control and DMX512
159(8)
Analogue control
159(1)
Advantages of analogue control
159(1)
Limitations of analogue control
159(1)
Multiplexing
160(2)
DMX512 -- a Revolution!
162(5)
17 Ethernet and networking
167(9)
What is Ethernet?
167(1)
What is networking?
168(1)
The network `transports' show data
168(1)
Basic terms involved in networking
168(7)
A rule of thumb
175(1)
18 Midi and time code
176(7)
Basic MIDI glossary
176(1)
The physical side of MIDI
177(1)
MIDI in lighting consoles
178(2)
MIDI Show Control
180(1)
MIDI Machine Control
181(1)
SMPTE and MIDI Time Code
182(1)
19 ASCII light cues
183(8)
A standard show format
183(1)
Editing an ASCII Light Cues file
183(8)
Part 5--Troubleshooting 191(2)
20 Troubleshooting
191(2)
1. Operator errors
191(1)
2. Bugs in the software
191(1)
3. Faulty power
192(1)
4. Faulty DMX installation
192(1)
Appendix 1--Contact information 193(4)
1. Lighting industry organizations 193(1)
2. Organizations holding standards used in the lighting industry 194(1)
3. Manufacturers discussed in this book 195(2)
Appendix 2--An historical overview of some manufacturers 197(12)
ADB (Belgium) 197(1)
ARRI (discontinued) 198(1)
AVAB (Sweden) 198(2)
Avolites (UK) 200(1)
Celco (UK) 201(1)
Compulite (Israel) 202(1)
ETC (US) 203(1)
Flying Pig Systems (UK) 204(1)
Strand Lighting (UK) 205(1)
Transtechnik (Germany) 206(1)
US Market: a general background 207(2)
Bibliography 209(1)
Index 210

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